Art Movements is a weekly collection of news, developments, and stirrings in the art world. Subscribe to receive these posts as a weekly newsletter.
The New York Historical Society will display John Singer Sargent’s monumental painting “Gassed” (1919) as part of its exhibition, World War I Beyond the Trenches. It is the first time the work has ever been displayed in New York.
New York Attorney General Eric Schneiderman announced that the Gagosian Gallery agreed to a $4.28 million settlement for failing to pay taxes on art sales.
The Prague State Attorney’s Office issued an arrest warrant for Oleg Vorotnikov. According to the Prague Monitor, Czech police are searching for the Russian dissident artist after he “violated” court commitments. A member of Voina, Vorotnikov is best known for painting a giant penis on a drawbridge opposite Russia’s secret service headquarters in Saint Petersburg.
The Übersee-Museum Bremen in Germany returned its collection of ancient Moriori and Maori remains to New Zealand.
The Labour Party pledged £1 billion (~$1.29 billion) to the arts over a five year period as part of their election manifesto. The UK general election will take place on June 8.
A 14-year-old boy was charged with third-degree arson for allegedly igniting a massive fire that destroyed New York’s historical Beth Hamedrash Hagodol synagogue. It took around 140 firefighters to quell the blaze, two of whom were treated for minor injuries. The synagogue, which has been vacant since 2007, was granted landmark status in 1967.
National Museums Scotland launched an international fundraising campaign to acquire the Galloway Viking Hoard. Metal detectorist Derek McLennan, who found the Hoard in September 2014, stands to receive a £2 million (~$2.59 million) reward after alerting experts to his discovery.
The Coney Island History Project identified the creator of the iconic Spook-A-Rama Cyclops. The model, which has been on a national tour since 2014, was designed by Coney Islander and billboard painter Dan Casola (1902–1990).
Sotheby’s withdrew the star lot of its Impressionist and modern art evening sale, Egon Schiele’s “Danaë” (1909), at the last minute. The painting was estimated to sell for between $30–40 million. The Sotheby’s evening sale went on to fetch $173.8 million, far below the $289.1 million that Christie’s raised at theirs. The post-war and contemporary evening sale at Christie’s fetched a total of $448.1 million. The equivalent sale at Sotheby’s fetched a total of $319.2 million, but stole the headline’s with the sale of Jean-Michel Basquiat’s “Untitled” (1982). The work sold for $110.5 million, a record for the artist and the most expensive work by a US artist sold at auction. The painting was purchased by billionaire art collector Yusaka Maezawa, who subsequently posed with the work on Instagram.
Sotheby’s inaugural modern and contemporary African Art sale totaled £2.8 million (~$3.6 million).
The Cincinnati Art Museum received a $11.75 million bequest from Carl and Alice Bimel. The gift will be used to establish the Alice Bimel Endowment for Asian Art, which will expand the museum’s collection of art from South Asia, Iran, and Afghanistan.
Documentary photographer David Hurn donated 1,500 of his own photographs and 700 photographs from his private collection to Amgueddfa Cymru, National Museum Wales.
The John S. and James L. Knight Foundation will provide $1.87 million to 12 art museums for the purpose of engaging visitors with new technologies.
A first edition of George Cruikshank’s “The Scourge” (1811–16) sold at Swann Auction Galleries for $11,250 — a record for the work.
French president Emmanuel Macron appointed Françoise Nyssen as France’s new Minister of Culture.
Luis A. Croquer was appointed director of the Rose Art Museum.
Shawn Brixey was appointed dean of Virginia Commonwealth University’s School of the Arts.
Jane South was appointed chair of Pratt Institute’s fine arts department.
Katelyn D. Crawford was appointed curator of American art at the Birmingham Museum of Art.
Heidi Holder was appointed director of education at the Queens Museum.
Abby Bangser was appointed deputy director of strategic initiatives at the Dia Art Foundation.
The inaugural Bangkok Biennale will be held from November 2018 to February 2019.
Sanya Kantarovsky is now represented by Luhring Augustine. Josh Smith recently left the gallery’s stable.
The jury of the 57th Venice Biennale announced the recipients of its Golden Lion Awards.
The Texas State Legislature appointed Sedrick Huckaby and Beili Liu as the State’s 2018 Two-Dimensional and Three-Dimensional Artists, respectively.
Anne Imhof and Huey Copeland were awarded the 2017 Absolut Art Award in the artwork and art writing categories, respectively.
The Institute of Museum and Library Services announced the 10 recipients of its 2017 National Medal for Museum and Library Service.
The National Museum of Women in the Arts received a 2017 MUSE Award for its social media campaign “Can You Name #5WomenArtists? A Viral Campaign for Women’s History Month.”
Chris Cornell (1964–2017), musician, singer, and songwriter. Member of Soundgarden and Audioslave.
Lloyd Cotsen (1929–2017), collector.
Chuck Davis (1937–2017), dancer and choreographer.
Felipe Ehrenberg (1943–2017), conceptual artist.
Jean Fritz (1915–2017), writer and children’s author.
Lee Hall (1934–2017), painter. Author of Elaine and Bill: Portrait of a Marriage (1993).
Luis Miret (1959–2017), dealer and curator. Director of Galería Habana.
Judith Stein (1940–2017), historian and author. Best known for The World of Marcus Garvey: Race and Class in Modern Society (1986).
Beatrice Susa (1981–2017), co-founder of the Arte Laguna Prize.
Cammie Tipton-Amini’s opinion piece “When Ukraine Was Newly Independent and Everything Was Possible” employs simplistic whataboutism that dangerously echoes Putin’s lies.
Anthony Banua-Simon’s documentary Cane Fire contrasts decades of Hollywood images of his home with its current reality.
Now on view in Pasadena, this exhibition explores how four artists challenged the limitations of gestural abstraction by exploiting the resonance of figural forms.
Michelle Segre’s art is truer to the actual world we live in than to the ideal one proposed and refined by the art world and its institutions.
The school’s 2022 cohort was encouraged to fail, get messy, and try new things.
Northwestern’s Block Museum of Art Presents A Site of Struggle: American Art against Anti-Black Violence
This new exhibition in Evanston, Illinois considers how art has been used to protest, process, mourn, and memorialize anti-Black violence for more than a century.
Protesters held signs that read “If men got pregnant, you could get an abortion at an ATM” and “Abolish SCOTUS, Not Abortions!”
Define American has named the fourth cohort of its annual fellowship, which gives grants and career development opportunities to five artists.
Guest curated by Alison Burstein, An Asterism* at the school’s Kellen Gallery in NYC features the work of 15 multidisciplinary artists, on view from May 16 through May 27.
The site of Michelangelo’s famous frescoes has a strict no-photos policy.
Her short film Freshwater is now playing at the Museum of Contemporary Art Detroit.
In the artist’s new exhibition, Black moves away from her signature representation of commercial goods to celebrating the labors behind everyday life.