In its 10th year, the Governors Island Art Fair (GIAF) continues to experiment with the disused spaces on Governors Island in the New York Harbor, adding the 1920s Liggett Hall barracks to the 2017 edition. The fair, organized by the nonprofit 4heads, features 100 artists from across media, from gourds molded into baby heads, to interactive videos.
Although part of the interior of Liggett Hall is accessible to the public, including a long sunlit corridor where Norman Mooney’s cast aluminum “Wall Flower” sculptures stand like starbursts, much of it is only visible through windows and doors. Visitors can peer through the glass to videos and installations, like Trevor King’s “The Well,” for which the artist installed a clay slip and “eight 2.5 gallon water jugs blended with increasing percentages of Gatorade” to create a contrast between the flooded earth and unnaturally colored liquid.
As in years past, some of the more successful art involves installations that engage with the decommissioned military structures, including a line of houses in Colonels Row. The peeling paint, grand staircases, and dormant kitchens offer a haunting setting for Andrew Harrison’s “A Tree for Andrew Williams,” where a bicycle transports a tree. Constructed with wood collected at the former site of Seneca Village — an African American community displaced by the development of Central Park — the sculpture is a tribute to one of the village’s 19th-century residents. Susan Camp’s delightfully creepy gourds, grown with constraining molds into disembodied doll faces, likewise harmonize with the creaky old houses. There are also stand-outs in photography and painting, such as Dáreece Walker’s series of “Black Is the Giant” canvases that portray a larger-than-life vision of himself towering above protests against police brutality, and Marie Koo’s oil paintings and animations, in which bunnies and goats dance beneath the moon, and a whale skeleton is greeted by a parade thrown by deep-sea animals that thrive on its nutrient-rich flesh.
Each year Governors Island, decommissioned in 1996, expands its public access. Last year saw the opening of the Hills, a cluster of mounds shaped from debris recycled from the demolition of deteriorated buildings. GIAF annually exposes visitors to even more of its hidden corners, reanimating the dormant spaces with art.
The 10th Annual Governors Island Art Fair continues on Governors Island (New York Harbor) through October 1.
The Roman-era burial ground is located in Anazarbus (modern Anavarza) in the country’s southern Adana province.
Those with a Didion-shaped hole in their hearts can also bid for portraits of the author, her books, and other personal items.
The Brooklyn organization is now accepting new project inquiries for its fee-based fabrication services in printmaking, ceramics, and large-scale public art.
The union seeks a minimum wage of $20 by the end of 2024; the museum offered only $16.
Blurred Boundaries invites the viewer to recognize the ways in which queer art is not separate or other, but is actually always all around us.
The Newark Museum of Art Presents Jazz Greats: Classic Photographs from the Bank of America Collection
Photographers Antony Armstrong Jones, Milt Hinton, Chuck Stewart, Barbara Morgan, and more capture a breadth of legendary and local musicians and performance artists. On view through August 21.
Francis De Erdely had an intuitive grasp of the inner worlds of people who were coping with a sense of displacement in their daily lives, which he conveyed in his art.
Curator Amber-Dawn Bear Robe brings together historic and contemporary Native clothing designs at Santa Fe Indian Market.
Art and photographs, publications from the 19th and 20th centuries, manuscripts, posters and more are set to cross the auction block on August 18.
As the Uru-eu-wau-wau face continued incursion by Brazilian farmers, they take an active role in this documentary about them.
Arriving amid increased anti-Asian racism and continuing discourse about the inhumanity of its prison system, this documentary is a strong historical gut punch.
A “show within a show” at the Whitney Biennial pays homage to the visual and literary art of Theresa Hak Kyung Cha, whose life was cut short through an act of brutal violence.