Since 1978, Materials for the Arts has provided thousands of New York City’s arts and cultural organizations, public schools and community arts programs with the supplies they need to run and expand their programs. Materials are gathered from companies and individuals that no longer need them and redistributed to the artists and educators that do. In the process, hundreds of tons are removed from the waste stream every year and kept out of landfills, helping to sustain our environment and promote reuse and waste reduction.
MFTA helps artists realize their visions, provides students with a richer educational experience and furnishes businesses and individuals with a simple and efficient way to enhance the cultural life of their city, while promoting environmental awareness and reuse.
The success of MFTA and its programming would not be possible without the participation of material donors throughout the metropolitan area. If you are interested in donating your unwanted reusable items to MFTA please visit their Donor page or call 718-729-3001 and press 1 for “Materials Donation”.
If you are interested in becoming a materials recipient please click here to see if you qualify.
Join Hyperallergic for an online conversation with Kiowa Tribal Museum Director Tahnee Ahtone on January 25 at 7pm (EST).
This week, Patrisse Cullors speaks, reviewing John Richardson’s final Picasso book, the Met Museum snags a rare oil on copper by Nicolas Poussin, and much more.
Graduate students in the University of Denver’s Emergent Digital Practices program work on research with faculty who are engaged directly with their communities, both online and off.
Alexi Worth’s paintings demand a double take that allows viewers to look closer and begin dissembling the painting in order to understand what is being looked at.
Anastasia Pelias’s sculpture builds on this mythological legacy, suggesting we all have the ability to commune with a higher power and influence our futures.
Curated by Jill Kearney, this exhibition in Frenchtown, NJ amplifies stories both local and universal with work by Willie Cole, Sandra Ramos, sTo Len, and more.
Jack Spicer’s poetry can be deeply funny and playful but it has a consistent undercurrent of sadness.
Belinda Rathbone’s biography traces the sculptor’s embrace of kinetic mechanisms to his work in the Singer Sewing Machine factory.
The first lecture is on the relationship between early portrait photography and diverse notions of US identity during the Gilded Age. Register to attend on January 25.
It’s the first time in the country’s history that objects of this significance are offered for public sale.
Schwartz was at the forefront of computer-generated art before desktops or the kind of software that makes it commonplace today.
Curator La Tanya S. Autry shares a set of crucial questions she considers when curating images of anti-Black violence.