

Lauren Purje (b. 1987) grew up in Dublin, Ohio and graduated from Ohio University in 2009 with a BFA in Painting. She moved to Brooklyn, NY in 2011 where she currently lives and works. This series of comic... More by Lauren Purje
Lauren Purje (b. 1987) grew up in Dublin, Ohio and graduated from Ohio University in 2009 with a BFA in Painting. She moved to Brooklyn, NY in 2011 where she currently lives and works. This series of comic... More by Lauren Purje
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Tiffany D. Gaines, Machiko Harada, Brianna L. Hernández, Álvaro Ibarra, and Brian Johnson are the recipients of this year’s fellowship.
Sokolow’s overarching concern in her current exhibition, Visualizing is with the coercive potential of built environments.
A founding member of Turkish contemporary art space SALT, Demir brings to NYUAD her training in non-Western modernism and commitment to global contemporary art and cultural production.
“Three Transitions” from 1973 depicts a slippery reality that thwarts the notion of video as an inherently “documentary” medium.
An ancient prison that once held enemies of the Roman state sits at the base of the Capitoline Hill, largely unchanged since it was first built.
Engage in experimental and intersectional research-based art-making at UF’s School of Art + Art History.
An exhibition at NYC’s Woodhull Hospital pairs works from the medical center’s collection with pieces made by people currently imprisoned at the jail.
Following yesterday’s guerrilla action within the institution, hundreds of protesters congregated outside of the Brooklyn Museum demanding a ceasefire in a planned march throughout the borough.
Explore new directions in your work with artists from around the world while being inspired by studio spaces and facilities in the Canadian Rocky Mountains.
Protesters demanded that the New York City institution sever ties with donors financially connected to Israel.
Artists and activists from various groups chanted, “Netanyahu, what do you say? How many kids did you kill today?”
Why adopt an ideology of ability in order to defeat this myth? *cues the slide deck about contemporary disabled artists*