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- It’s the time of year for “best of” lists (including our own — stay tuned this coming week). Dezeen has some fun ones; in addition to the quirky roundup of top staircases (one featured above), the publication has compiled dazzling installations, pavilions, and graphic design and illustration moments.
- The Washington Post published an extensive report on a gender discrimination lawsuit filed by a principal flutist in the Boston Symphony Orchestra. The lawsuit could have lasting implications:
Speaking publicly for the first time about the lawsuit, Rowe says her case has far-reaching implications. Her lawsuit will be the first against an orchestra to test Massachusetts’s new equal-pay law, its outcome potentially affecting women across the U.S. workforce who are paid less than their male colleagues.
- It turns out moviegoers in China are not so crazy about Crazy Rich Asians. (After reading Danielle Wu’s review, I’m not so surprised.) Katrina Yu for Al Jazeera reports:
Meanwhile, Chinese cinema lovers have sharply criticised the film online. According to popular reviews posted on Chinese movie websites mtime and douban, Crazy Rich Asians wasn’t a celebration of Asian culture – it was a demonisation of it.
- Do you know who your national poet laureate is? If not, now’s your chance to meet Tracy K. Smith. She says in her interview with The Believer:
In the twenty-first century, when our lives are full of distractions and sales pitches, I think poetry is a vitally rehumanizing force, something that can pull our relationship with language away from the vocabulary of the commercial marketplace and back toward the realm of genuine thought and feeling.
- In Los Angeles, the school district is removing a mural of Ava Gardner from a Koreatown public school. According to the Los Angeles Times, Korean groups have protested against the rays emanating from Gardner’s face, which they say bear resemblance with Japan’s rising sun flag during World War II.
— Los Angeles Times (@latimes) December 12, 2018
- Some artists are starting to feel like Instagram isn’t actually good for their art. Drew Zeiba at Vulture gets these artists’ perspectives. Andrea Crespo, who was initially an Instagram fan, says:
“Reward systems in social media were influencing my decisions while art making. I would think about what people would think based off of likes and comments.”
- Quartz reports that “Perhaps for the first time in Kenya’s history, there’s a movement to investigate the cultural artifacts stolen and kept outside the country’s borders.” The initiative is one of many recent efforts to repatriate objects. Abdi Latif Dahir writes:
Funded by the German cultural institute in Kenya, the program seeks to create a first-of-its-kind inventory of Kenyan artifacts held in public institutions abroad. Once the objects are identified in museums in Germany, UK, and the US, the aim is to get these works to Kenya and feature them in permanent or temporary exhibitions.
- Over the past three years, there have been 1,457 unclaimed deaths in LA County. A fascinating story on LA Taco reports on a yearly interfaith ceremony that is organized at the designated gravesite:
Each year the county buries hundreds of individuals unclaimed for reasons as varied as the unclaimed individual themselves, according to county officials. Some couldn’t afford the $400 the county charges for cremation and body transportation, while others choose not to claim someone for personal reasons.
For the people who came to the ceremony, the dead were not forgotten.
I’ll be preparing your Required Reading while Editor-in-Chief Hrag Vartanian is on vacation.
Archeologists can now prove the Vikings made landfall in the Americas hundreds of years before Columbus reached the Bahamas.
This week, the National Gallery of Art finally acquired a major work by Faith Ringgold, the director of The Velvet Underground talks film, North America’s Hindu Nationalist problem, canceling legacy admissions, and more.
No Vacancy, curated by Jody Graf, will be on view from October 26 through November 8 at the school’s Kellen Gallery in New York City.
Sculptures of Oaxacan alebrijes, envisioned as guardians of the nation’s immigrant community, and catrinas, Day of the Dead skeletons, are now at Rockefeller Center.
“I am trying to keep the immediacy of my emotional experience while I’m painting.”
Art by Athena LaTocha, Wendy Red Star, Marianne Nicolson, Anita Fields, Jaune Quick-to-See Smith & Neal Ambrose-Smith, and more is on view through January 2022.
The intention behind the seemingly bizarre combination was, according to Attie, “to give visual form to the shared American and Brazilian reality of nationalistic divisions that defines our political present.”
Nowhere in the museums’ advertising blitzkrieg for the performance were we told to bring our wildfire-season masks as well as our covid masks, and covid masks don’t prevent smoke inhalation.