Week in Review is a weekly collection of news, developments, and stirrings in the art world. Subscribe to receive these posts as a weekly newsletter.
On Thursday, May 28, China passed a national security law to give mainland China the power to suppress political protest in Hong Kong. Over 1,500 people signed a petition saying this will “create a climate of fear and self-censorship that harms artistic expression, free speech, cultural exchange and even personal security.”
A group of about 40 activists gathered outside the New York City Police Department’s (NYPD) 33rd precinct in Manhattan’s Washington Heights neighborhood yesterday, May 25, to protest last month’s arrest of the 67-year-old author and journalist Jill Nelson.
A Hudson Valley museum, Magazzino Italian Art, will reopen with a unique set of social distancing initiatives, including a wearable device that buzzes and blinks when it senses another patron get too close.
New programs at the Baltimore Museum of Art (BMA) will provide broad-ranging support to local artists, galleries, and communities.
In light of the COVID-19 pandemic, Tate will forego the 2020 Turner Prize, instead awarding £100,000 to 10 British artists.
A new set of USPS stamps commemorates four Harlem Renaissance figures: novelist Nella Larsen, philosopher Alaine Locke, historian Arturo Alfonso Schomburg, and poet Anne Spencer.
The Institute for American Indian Arts (IAIA) announced that it would reduce tuition by 10% for the 2020-2021 school year in response to the ongoing COVID-19 pandemic.
In California, art schools and programs are considering their reopening plans. Hyperallergic reached out to several schools in the state to see how they are planning to address the need for social distancing while maintaining the integrity of their arts curriculums.
In a sale of Versailles royal memorabilia at French auction house Osenat, a trunk that Marie Antoinette used for travel sold for €43,750 (~$48,500), soaring past its high estimate of €10,000 (~$11,000). Additional lots of interest include an épinette decorated with birds and inscribed with a charming poem, which sold for €6,250 (~$6,900); a letter that Marie Antoinette sent to her sister Marie-Christine in 1782, which garnered €8,125 (~$9,000); and a bronze-patinated marine cannon, which sold for €4,000 (~$4,400).
Collectors Elie and Sarah Hirschfeld (a real estate magnate and scientist, respectively) made a promised gift of 130 artworks to the New-York Historical Society. The donation spans paintings, sculptures, and works on paper and includes works by 107 artists, many of whom were affiliated with New York-led movements. Among the highlights are Norman Rockwell’s “Gramercy Park” (c. 1918), Louise Nevelson’s “America *New York” (1965), David Hockney’s “View From the Mayflower Hotel” (2002), and Georgia O’Keeffe’s “Study for “Brooklyn Bridge” (1949). An exhibition of the works is planned for 2021.
To coincide with the planned reopening of Sotheby’s in New York, the auction house will hold a sale of over 450 works from the holdings of the late collector, gallerist, and philanthropist Ginny Williams. The collection, which is valued at over $50 million, prominently features work by female artists including Louise Bourgeois, Agnes Martin, and Joan Mitchell. The Art Newspaper quoted Sotheby’s Saara Pritchard noting that the occasion marks “the first time female artists will comprise over two-thirds of the value of the sale.”
In 2012, German officials discovered that Cornelius Gurlitt, son of notorious Nazi art dealer Hildebrand Gurlitt, was hoarding over 1,500 artworks inherited from his father. The Kunstmuseum Bern in Switzerland acquired the stash when Gurlitt passed in 2014; due to the likelihood that many of the works were looted, the museum vowed to perform extensive provenance research on the collection. In 2016, the German Lost Art Foundation took over that research, which has now formally come to a close. Their findings were largely inconclusive and a paltry 14 works were determined to be Nazi-looted and subsequently restituted.
This Week in the Art World
The Pérez Art Museum Miami (PAMM) acquired eight works from local galleries. | Art Newspaper
Terrie Sultan is leaving her position as director of the Parrish Art Museum. | Artforum
The Estate of Sophie Taeuber-Arp is now represented by Hauser & Wirth. | ARTnews
Firelei Baéz is the Visual Art grantee of the 2020 Herb Alpert Award in the Arts at CalArts. | CalArts
Conservator Emmanuel Kasarhérou is the new president of the Musée du quai Branly-Jacques Chirac. | RFI
Suzy Delvalle is leaving her position as executive director of Creative Capital. | Artforum
New York’s Magenta Plains announced representation of Jennifer Bolande. | Via email announcement
The Rubin Museum announced the appointment of Dona Lee Kelly to Director of Development and the addition of Chris Fussner, Namita Saraf, Jesse Smith, and Tong-Tong Zhu to the Board of Trustees. | Via email announcement
Peter Alexander (1939–2020), Light and Space artist | ARTnews
Emma Amos (1937–2020), postmodern figurative painter | Artsy
Richard Anuszkiewicz (1930–2020), Op Art painter | artnet
Rafael Leonardo Black (1949–2020), self-taught artist | New York Times
Jimmy Cobb (1929–2020), jazz drummer | New York Times
Adam Henein (1929–2020), Egyptian sculptor | ARTnews
Mory Kanté (1950–2020), Guinean musician | Al Jazeera
Hana Kimura (1997–2020), Japanese wrestler and reality show star | Guardian
Larry Kramer (1935–2020), writer, playwright, and AIDS activist | NPR
Phil May (1944–2020), British rocker | New York Times
Nancy Stark Smith (1952–2020), contact improvisation co-founder | Dance Magazine
Al-Hadid’s new mosaic features the famed clock that hung at the entrance of the original station until the building was demolished in the 1960s.
The excavation project also yielded Old Kingdom-era amulets, stoneware, and daily-use tools.
Join the New-York Historical Society on February 10 for a virtual conversation about our changing relationship to the natural world with Julie Decker, John Grade, and LaMont Hamilton.
The steel spike clad in gold and silver commemorated the completion of the Transcontinental Railroad in 1869.
Thanks to a $3.3 million grant from the state’s Creative Corps, artists can now apply to bring the project to their neighborhood.
Your list of must-see, fun, insightful, and very Los Angeles art events this month, including Alicia Piller, Brad Phillips, Mulyana, the MexiCali Biennial, and more.
Her solo exhibition at the Los Angeles institution demonstrates how natural light can turn an overlooked, everyday setting into a sublime landscape.
Presented by Northwestern’s Block Museum and McCormick School of Engineering, this new exhibition seeks empathy at the boundaries of life. On view in Evanston, Illinois.
Nicola López and Paula Wilson’s exhibition Becoming Land considers anthropocentric relationships with New Mexico’s desert landscapes.
A festival dedicated to Davinci’s The King Show celebrates the LA artist’s trippy remixing of stock footage, Hollywood cinema, and theater.
Located in Des Moines, Iowa, this residency for emerging and established artists includes studio and living space, a $1,000 monthly stipend, and more.
20th Century Indian Art: Modern, Post-Independence, Contemporary surveys the many distinct aspects of art in South Asia.
Moving too fast on your commute, looking out of the corner of your eye one second too late, and you might miss HOTTEA’s yarn installations.