in this house we raise our voices we are raising up black boys in this house in this house, some days our voices stay raised high other nights we are soft whispers black boys are becoming black men in this house in this house black boys blossom black boys bloom black boys cry or laugh black boys be brilliant in this house this is a black boys house filled with love we don’t let fear into this house we know fear intimately, but we don’t let it enter these doors this is a safe house for black boys becoming black men this is a safe house for black men who were once black boys this is our house and these are our suns.
The Latest
Museums Have a Responsibility to Their Neighbors
As museums readily draft land acknowledgments, they should also be ready to leverage their presence and power on the land to meet the needs of their neighbors today.
How a Group of Navajo Teens Promoted a Re-telling of History
Decades later, a letter written by the group has resulted in a permanent exhibition at Bosque Redondo Memorial in New Mexico.
Stream Media Works by Korean, European, and West Asian Artists on Watch and Chill 2.0
International audiences have free access to the media collections of MMCA Korea, Sharjah Art Foundation, and ArkDes through this subscription-based art streaming platform.
Transforming Society Through Play
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A Frank Lloyd Wright-Designed Doghouse Goes on View in California
The pet home is on view at the Marin County Civic Center in San Rafael, Wright’s largest public project.
Center for Art, Research and Alliances Opens Space for Future (Un)doings in Conjurings
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Baby Mammoth, Buried for 30,000 Years, Unearthed Largely Intact in Canada
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Using Her Mouth and Feet, Lorenza Böttner Created an Immense Body of Work
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San Francisco Art Book Fair Returns After a Two-Year Break
The Bay Area art book fair is back this July with free programming at three different on-site venues, new exhibitors, and fundraising editions from renowned artists.
Juliette Binoche Is Torn Between Two Lovers in Claire Denis’s Both Sides of the Blade
Fans of director Claire Denis should check the film out, but as an agnostic, I find it one of her few truly awful pictures.
Reflecting on Nationalism at the Venice Biennale
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Maybe Beyoncé’s Album Cover Isn’t Based on a White Man’s Painting
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