LOS ANGELES — Los Angeles galleries are having their moment at this year’s Felix Art Fair. For its third iteration held at the Hollywood Roosevelt Hotel, organizers decided to scale down and feature 29 galleries (compared to 40 and 60 in previous years) and most of them are local.
After checking in, and showing proof of vaccine or a negative COVID test, masked attendees are able to weave in and out of poolside cabanas while hotel guests tan and swim. Placing art pieces on the walls and in crevices of hotel rooms, rather than typical white walls, makes for a much more interactive experience. Sculptures are placed in the shower, paintings hang above toilets, and even wooden closets become display boxes.
At Charlie James Gallery, busts by John Ahearn hang on indoor and outdoor walls as if taking part in patrons’ conversations. Other works include paintings by Gabriella Sanchez and two cake sculptures by Patrick Martinez which honor slain Chicano journalist Ruben Salazar and abolitionist Frederick Douglass.
A few hotel rooms over, Inglewood-based Residency Art Gallery highlights Black and Brown artists like the Perez Bros, Jonah Elijah, and Yvette Mayorga, among others, whose work explores migration, militarization, gender, labor, and race.
Chris Sharp Gallery features a single artist: Los Angeles-based Indigenous artist Ishi Glinsky who makes sculptures of cartoon characters using resin inlay techniques common in Indigenous jewelry-making practices. The use of these popular figures is in conversation with “Zunitoons,” which are made by the members of the Zuni nation and sell mostly to tourists in the Southwest.
One particular stand out is Gavlak Gallery featuring sculptures by Kim Dacres made of interwoven tire strips, and the Afro-futurist, glittering tapestries of April Bey.
Like most art fairs, there’s an exclusive air about it, with tickets selling at an unfriendly $75. But if you get a chance to see it, you’ll get a window into the wide-ranging and effervescent Los Angeles art scene.
The Felix Art Fair continues at the Hollywood Roosevelt (7000 Hollywood Boulevard, Hollywood, Los Angeles) through Sunday, August 1.
Although Khedoori does not depict living beings, their presence is evoked in the traces they leave behind.
The Bronx Museum’s fifth biennial continues to focus its programming on individual identity, eliding the ever-divergent interests of the art market and local communities.
Part of the university’s Artists on the Future series pairing renowned artists with cultural thought leaders, this online event is free and open to the public.
While it may be strange to think of food insecurity as a basis for art, the works in Food Justice reveal barriers and injustices in food access.
Shiv would definitely have a Chihuly chandelier.
“[The art market] provides an opportunity for people to move money in a way that they can’t with other commodities,” says FBI Special Agent Chris McKeogh.
Black American Portraits features over two centuries of artworks centering Black artists and subjects.
Weisman Museum of Art Presents Highlights From the Kinsey African American Art and History Collection
An exhibition at Pepperdine University in Malibu chronicles the achievements and contributions of African Americans over the last five centuries.
A love of Black art and history was the bedrock of the friendship between Dell Marie Hamilton and Susan Denker, who had markedly different racial, economic, and generational subject positions.
With what he says is his final museum bow, Fitzpatrick shines a light on the colorful diversity that composes his city.
The question of race — however hidden, however camouflaged by the shouts of the crowds — is a constant theme and an unanswered challenge.