The deadline to apply for the Sam Fox School MFA in Illustration in Visual Culture (MFA-IVC) is February 7, 2022.
Virtual Open House
Learn about the program, meet faculty, and take a 360° tour of our spaces at the fall Virtual Open House, taking place on November 8, 2021 at 9am (CST). The event is free; registration is required.
Hot off the press! Get your free copy of The Graphic Vindicator, the official publication of Washington University’s MFA-IVC program.
About the MFA-IVC Program
Led by John Hendrix, students in the Sam Fox School of Design & Visual Arts’ MFA in Illustration & Visual Culture program at Washington University in St. Louis unearth the wild, the wondrous, and the unknown. This two-year residential program combines studio practice in illustration with material culture studies. Graduates are prepared to work as author-artists of graphic novels, comics, and picture books, as well as professors, critical writers, and curators.
The MFA-IVC program is built on the expertise of the school’s illustration and design faculty and the vast resources of Washington University, a tier-one research institution. The school’s resources include the Kranzberg Art & Architecture Library, the Mildred Lane Kemper Art Museum, and the D.B. Dowd Modern Graphic History Library, a preeminent site for studying the history and culture of American illustration.
MFA-IVC studios are located in Weil Hall, a brand-new facility including a digital fabrication lab and numerous spaces for collaboration and cross-disciplinary exchange. You’ll also have access to our integrated printmaking suite, home to Island Press and the Kranzberg Book Studio.
Our faculty specialize in children’s books, editorial illustration, cultural theory, graphic novels, zines, typography, and social practice. Faculty members include John Hendrix (chair), D.B. Dowd, Gerald Early, Edward Kinsella III, Heidi Kolk, Shreyas R Krishnan, Skye Lacerte, Joy Novak, Dan Younger, and Dan Zettwoch. Recent and upcoming guest speakers include Richie Pope, Molly Mendoza, Ping Zhu, Silas Munro, Eleanor Davis, Jillian Tamaki, and Lauren R. Weinstein.
Contact Taylor Yocom, graduate recruitment specialist at firstname.lastname@example.org.
Follow us on Instagram at @samfox_mfa_ivc!
An SFMOMA exhibition raises questions about what it means when museum board members have ties to politicians who support border wall policies.
The exhibition at the Jewish Museum delves into “degenerate” art and art made under duress as part of a thought-provoking yet diffuse exhibition.
In Philadelphia, a series of solo shows delves into the interdisciplinary practices of graduates whose work explores identity, familial bonds, political constructs, and nature’s fragility.
Despite his work’s apparent abstraction, Sheroanawe Hakihiiwe insists that “I don’t invent anything, everything I do is my jungle and what is there.”
David Uzochukwu, Kennedi Carter, and Kiki Xue are among the 35 artists whose work will be displayed online and at the festival in Milan, Italy.
On November 14, join Columbia University School of the Arts for virtual information sessions with the program chair, faculty, and staff.
No Vacancy, curated by Jody Graf, will be on view from October 26 through November 8 at the school’s Kellen Gallery in New York City.
To do so before they have returned the Maqdala treasures and the Benin Bronzes and the Easter Island statues and the Maori heads, before a coherent set of precepts for decolonization has been articulated, would affirm the wrong principle.
“Everybody in Mesopotamia, as far as I understand it, believed in ghosts,” said Irving Finkel, a curator of the British Museum’s Middle Eastern department.