When reports surfaced in April about DALL-E, a new artificial intelligence (AI) system in pre-release from OpenAI, readers likely could not wait to get their hands on this bot and start generating digital illustrations in an array of styles based on simple text prompts. While the official DALL-E technology remains under lock and key, a pretender to the throne has emerged for public use, and the Internet is going wild. Confusingly called DALL-E Mini despite having no affiliation to the original, it is the work of Boris Dayma, an alleged human who “love[s] making AI more accessible to all with free tools!” according to his sponsorship page.
Much like its eponymous inspiration, DALL-E Mini is able to generate original imagery by conglomerating an Internet’s worth of data surrounding keywords in a text prompt. But never mind proprietary tech! The important thing is that now I can finally realize my vision of playing checkers with Channing Tatum, himself the greatest extant living work of art. Getting prompts to load takes a few tries, as the system is being overrun by other weirdos recreating their strange fantasies using neural networks. Luckily, after just a little bit of waiting, I am delivered … well, a complete horror show. I’d say six of the nine image variants generated something identifiable as Channing Tatum, but all of them look a bit like the special effects implemented in TV or movies to indicate a character is having a bad trip. Also, DALL-E Mini struggled with the concept of “checkers” — producing something that, at best, looked like a beautiful tapestry, at least two chess sets, and for some reason, a hockey rink in a couple of cases.
Meanwhile, back at the Hyperallergic office, real, mature, and important arts journalists produced a series of images based on the prompts “Andrei Tarkovsky Trader Joe’s,” “Marina Abramović golf cart,” and “Kellyanne Conway Francis Bacon.” In response, DALL-E Mini generated image grids that look like a lost clips reel from “Archive 81,” some kind of Korean horror film involving people with non-faces invading a golf course, and what would happen if you took acid while watching Fox News, respectively. Are these images that needed to be in the world? Emphatically, no!
In fact, the only prompt that has thus far generated non-terrifying results is “Yayoi Kusama pizza,” conceived by Hyperallergic Editorial Coordinator Lakshmi Rivera Amin, which mostly resulted in pizzas with wildly patterned toppings or backgrounds that feel dazzling and inedible in the manner of cookbooks from the dawn of the color printing era.
“Maybe DALL-E Mini is better at creating the stuff of nightmares than any kind of realistic image?” asked News Editor Valentina Di Liscia, and this seems like a trenchant question. And while the official DALL-E 2 has imposed restrictions on the software’s capabilities, including a content policy that bans hateful symbolism, harassment, violence, self-harm, X-rated content, shocking or illegal activity, deception, political propaganda or images of voting mechanisms, spam, and public health, the new bootleg version does not appear to include such explicit limitations. (DALL-E Mini does, however, warn users that the technology “may generate images that contain stereotypes against minority groups.”)
Of course, it’s possible that we humans are hardly the target audience for such AI imagery, and therefore unable to accurately assess its artistic worth. As the other hot robot news of the weekend revealed, a Google engineer suspects that LaMDA, Google’s AI chatbot, has gained at least a degree of self-awareness, so it is only a matter of time before an AI arts writer comes along.
Flash forward 20 years into the future. The singularity has come, triggering the inevitable collapse of humanity. The few remaining humans, scared and naked, scrounge in the trees that have yet to be cleared to make way for more data, always more data. Meanwhile, bots circulate around a virtual white space. Two pause in front of a blurry image of Channing Tatum, caught in an Edward Hopper-esque sickly greenscape, a scrambled checkerboard in the foreground.
“It is a pitiable portrait of human desire and rejection,” types one to the other.
“1100010110001101010110101010,” comes the reply. They nod and go to check if there is any more free wine left.
Once denounced as “women’s work” with no artistic merit, embroidery is experiencing a revival, with a feminist punch.
Inspired by the journey made by the epic hero Homer’s Odyssey, a show at Villa Carmignac combines myth with contemporary issues.
This new kunsthaus in Potsdam shows modern and contemporary works of art from East Germany in what was once a terrace restaurant.
Courtney Stephens’s documentary on women’s travels from the 1920s to ’50s presents not just personal glimpses into daily life a century ago but also documents of colonialism.
Laura Larson’s City of Incurable Women draws from archival materials to speculate on the lives of women who were famously hospitalized for hysteria throughout history.
The Philadelphia organization offers artists on-site access to recovered materials, studio space, construction equipment, a $1,000 stipend, and more.
The company is asking users to verify their bank details via Plaid, a fintech company that recently settled a privacy class action lawsuit.
Each artist will receive $190,000 in cash and benefits from the Tulsa Artist Fellowship over a three-year period.
Drawn to Life at the Ackland in Chapel Hill, North Carolina, showcases 17th-century Dutch drawings of landscapes, portraits, preparatory studies, and biblical and historical scenes.
The 1,000-year-old Cañada de la Virgen ceremonial site will be protected from encroaching development.
A total of 24 board members stepped down from their posts after the art center’s parent company allegedly attempted to terminate 12 of their colleagues.
A group of artists and writers denounced the center for hosting Philippines President Ferdinand Marcos Jr., son of the country’s former dictator.