If the voice’s call is the origin of speech – with its ability to hail, summon, or bestow a name – then perhaps the hand, raised to touch, or signal at a distance, is its silent counterpart. These two gestures form a call and response that provides the structure for stylus, a project created by Ann Hamilton for the Pulitzer Foundation for the Arts. Conceived in response to the Pulitzer’s mission to be both a sanctuary and laboratory, the installation is structured around live acoustic elements and will be punctuated by participatory workshops which will occur throughout the project. This installation offers many opportunities for visitors to interact directly with Ann Hamilton’s work.
As a visual artist whose contributions to contemporary art span three decades, Ann Hamilton’s installations are notable in part for their capacity to weave a broad palette of media into engaging sensory environments. Known for a dense accumulation of materials, her work creates immersive experiences that respond to the architectural presence and social history of their sites, while also engaging the public with broad questions of what it means to assemble in such spaces. While the Pulitzer building is the main structural element, the project spills outside the walls and onto the broader stage of the built and social environment of St. Louis and beyond.
In the following video, the Director of the Pulitzer Foundation for the Arts, Matthias Waschek, talks about the upcoming exhibit and what it’s about.
Designed by Pritzker Prize-winning architect Tadao Ando and situated in St. Louis’ Grand Center district, the Pulitzer presents changing exhibitions and engages in a variety of programming initiatives involving the visual, literary, and performing arts.
Connect with The Pulitzer Foundation for the Arts:
Visit the Pulitzer:
3716 Washington Boulevard
St. Louis, MO 63108
As New York braces for a powerful storm, local artists can share their designs for ice sculptures to be constructed and displayed in the island’s new Winter Village.
Join Hyperallergic for an online conversation with cultural organizer and curator La Tanya S. Autry on February 1 at 7pm (EST).
A new exhibition at the National Arts Club in NYC spotlights work from the 1950s and ’60s by the late Abstract Expressionist painter Libbie Mark. Admission is free.
This week, the Tonga eruption as captured from space, Boston gets a big gift of Dutch and Flemish painting, 30 years of New Queer Cinema, an important Marcel Breuer house is demolished, and much more.
Being bowled over by an unknown artist’s first one-person show does not happen often but when it does, it renews your faith that the art world is not just about buzz and hype.
At this free online summit, hear from architects Tadao Ando and Lesley Lokko; artist Himali Singh Soin; author Amitav Ghosh; design studio Formafantasma; and more.
Surrealist images of a Rice Krispies box or Yukon Gold potato explore how data is transformed into the visual language called art.
What is wonderful about the online photography exhibition What Have We Stopped Hiding? is that one is given entrée to the internal monologue of the artists featured in the show.
This immersive video installation utilizes waterscape scenes to speak about concepts such as existence, intimacy, healing, and aquatic ecology.
Self-taught artists were invited to exhibit, and sell, their fuzzy stacks of pancakes and tasseled tapestries.
Our culture seems obsessed with the artist/model relationship, portrayed in countless movies and narratives as a relationship that is lustful and scandalous.
Creator Art Spiegelman said he was “baffled” by the decision and called the school board’s behavior “Orwellian.”