CHICAGO — The selfie is an aesthetic with radical potential for bringing visibility to people and bodies that are othered. This week we present to you a few instances of empowerment that we caught via the #feministselfie hashtag on Twitter, which began in response to a post on Jezebel that suggests all selfies are a cry for help. These feminist selfies are important, relevant, and integral to the ongoing conversation around #selfie culture. I recently presented a theory of the selfie, which posits that as we increasingly live in public and that our selfies are our networked identities, connected, refracted, and devoid of context. Those who see us are our mirrors, reflecting how we look back to ourselves and out to the internet world. These selfies and conversation snippets about them on Twitter help us understand who controls the mirror and who’s allowed to make images, including of themselves.
From 1968 to 1973, the Nihon Documentarist Union did radical documentary work in Japan. They made two films in Okinawa before, during, and after its reversion.
Every corner and crevice of Columbia University’s MFA Thesis show feels lived in, reflecting not just artists’ experience quarantining with their work, but also that of re-entering society.
Curated by Clare Dolan, this solo exhibition in Frenchtown, NJ contains new and unearthed paintings, sculptures, and prints selected from the organization’s 60-year history.
Sprawling across the Joshua Tree region, nine site-specific works consider the ways in which people have relocated to the desert, destroying what came before them, and cultivating new life.
The rendition could be a platform for essential conversations on sociohistorical and economic land rights issues.
Conversations with Leslie Barlow, Mary Griep, Alexa Horochowski, Joe Sinness, Melvin R. Smith, and Tetsuya Yamada will be accessible online or in person at the Minneapolis College of Art and Design.
The UK has long refused to return the contested sculptures, which were stripped from the Parthenon in the 1800s.
The National Gallery of Art launched a new artwork guessing game inspired by the super-popular Wordle.
Now on view in Pasadena, this exhibition explores how four artists challenged the limitations of gestural abstraction by exploiting the resonance of figural forms.
The union said that grass hedges were erected around the entrance, blocking the gala’s guests from seeing the protest outside.
The small New York art fair celebrated its 26th edition with the works of 11 women artists.
The artist couple shared creativity and mutual devotion reflecting a period of light and joy that came after considerable darkness in their early lives.