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CHICAGO — The selfie is an aesthetic with radical potential for bringing visibility to people and bodies that are othered. This week we present to you a few instances of empowerment that we caught via the #feministselfie hashtag on Twitter, which began in response to a post on Jezebel that suggests all selfies are a cry for help. These feminist selfies are important, relevant, and integral to the ongoing conversation around #selfie culture. I recently presented a theory of the selfie, which posits that as we increasingly live in public and that our selfies are our networked identities, connected, refracted, and devoid of context. Those who see us are our mirrors, reflecting how we look back to ourselves and out to the internet world. These selfies and conversation snippets about them on Twitter help us understand who controls the mirror and who’s allowed to make images, including of themselves.
In 1962, Andy Warhol desperately wanted to be like his accomplished new pal, Marisol.
An exhibition of Ambrose Rhapsody Murray’s collages of textiles and sequins seek to capture the essence of her Black women figures as spirits.
Presented by Japan Society and the Agency for Cultural Affairs in association with the Visual Industry Promotion Organization (VIPO), this hybrid film series continues through December 23.
Saldamando portrays people isolated at home, waiting out a public health crisis.
Throughout 2021, Indigenous water protectors and climate justice groups have distributed copyright-free artworks supporting recent anti-pipeline protests in Minnesota.
An art historian and food and wine writer, Leonard Barkan roves from Pompeiian mosaics to Bible passages to Shakespearean plays in search of food and drink.
Nothing is more boring than reducing Italian American identity into stereotypes, but artist John Avelluto avoids that with his wide-ranging aesthetic appetite.
This affordable, interdisciplinary program with excellent facilities and private studios offers in-person instruction for 2022.
“A Fountain for Survivors” is a protective, pink cocoon in New York City’s busiest district.
75% of NFTs sell for an average of $15, study says.
Online, people are calling the courtroom drawing of Jeffrey Epstein’s alleged accomplice “creepy” and “horrific.”