Art
From Cum Shots to Orgasmic GIFs, a Playful Take on Virtual Sex
Faith Holland’s show TECHNOPHILIA at Transfer Gallery left me wanting more, kind of like I imagine a good dick pic would.
Alicia Eler is a cultural critic and arts reporter at the Minneapolis Star Tribune and author of "The Selfie Generation: How Our Self-Images Are Changing Our Notions of Privacy, Sex, Consent, and Culture" (2017).
Art
Faith Holland’s show TECHNOPHILIA at Transfer Gallery left me wanting more, kind of like I imagine a good dick pic would.
Interview
What goes West must always return East because New York is still the center of the American art market.
Art
LOS ANGELES — There’s nothing funny about art. Writing art criticism is a serious endeavor. But at some point, the performance of professionalism in the art world just started to feel like one big joke.
Art
LOS ANGELES — Imagine that you are trying to get dressed underwater but every time you lift your arms the water you’re wading through pulls them back down.
Art
MONTRÉAL — In the 24/7 news cycle of BuzzFeed, the Huffington Post, and every other “content producer” on the internet, there is a fine line between news and entertainment.
Books
The selfie exists everywhere that people own smartphones. DIS Magazine’s #artselfie, published by Jean Boîte Éditions, attempts to freeze one aspect of this cultural moment — the art selfie — by parlaying its meaning into a gleaming, print-only book
Art
LOS ANGELES — Benjamin Lord's grossly delectable photographs, on view in his exhibition The New Retail Mycology at Monte Vista Projects, invite viewers to closely consider the social construction of a landscape.
Art
LOS ANGELES — Artist Jennifer Moon is not the first or the last to experiment with self-surveillance, documenting selfies of her every moment for anyone and no one.
Interview
LOS ANGELES — Sometimes the best scenes and characters come to writers and performance artists through improvisation.
Art
LOS ANGELES — K-HOLE members speak in a pseudo corporate-y performative language, using terms like “onboard” in a way that is cringe-inducing, serious, and ambiguously funny.
Art
LOS ANGELES — In Gillian Wearing’s work, the artist serves as a conduit for other peoples' confessions while concealing her own subjectivity. In this exhibition, everyone becomes a stranger — both the visitors to the gallery and the people involved in making the work.
Art
LOS ANGELES — Jacolby Satterwhite’s solo exhibition How lovly is me being as I am is born out of a maternal virtual hive mind.