LOS ANGELES — Laura Parnes’s four-disk video series Blood and Guts in Hollywood exposes the idealized teenage dream for what it is: A boring, vapid fantasy of “love” that is marketed and sold to an audience of young dreamers searching for their soulmate in the illusions of silver screens and false idols.
LOS ANGELES — The summer months are a time of slowing down, going out, hitting the beach, and drinking far too many iced coffee beverages. And yes, I even remember you., a five-person group show at Aran Cravey Gallery curated by Eric Kim, wraps up the summer season nicely, reminding visitors of the slippery line between personal stories and broader histories.
It’s one thing to take a #museumselfie with a work of art, as if to say, “yes, I was here with this artwork” or “yes, here is my reflection in the surface of this piece.” It’s another thing to make Greco-Roman statues look like they were chiseled specifically for selfie-shooting moments.
LOS ANGELES — The art world has a lot of feelings about Instagram. On a humid Saturday night in Los Angeles, the roving cultural hub ForYourArt spilled their #instaguts about it all through the Instagram Mini-Marathon.
LOS ANGELES — Minor White’s photographs offer a portrait of a life lived in collaboration with the natural world, other people, and the great beyond. This collection of crisp photographs make up the retrospective Manifestations of the Spirit.
LOS ANGELES — In John Altoon’s current retrospective at the Los Angeles County Museum of Art, curator Carol S. Eliel organizes a view of this Los Angeles artist’s work that spans from his early beginnings in art — heavy strokes of more Cubist-type work — to his delicate, sexually charged ink and watercolors leading up to his death.
LOS ANGELES — Here’s the problem: “It is how people come to see art as a tool, a flavor, or a device.” So says Charlie White, editor of The Enemy, a triannual online journal that publishes long-form essays on criticism, social science, poetry, celebrity, and other cultural interests.
LOS ANGELES — June Wayne’s retrospective at the Pasadena Museum of California Art is a tightly curated, chronologically arranged exhibition of paintings, prints, tapestries, and video by a founder of the feminist art movement.
LOS ANGELES — The self-titled exhibition and zine release Bitches Rule, Cycle 3 is nestled in the back of & Pens Press, an art bookstore in Culver City set to become a roving/pop-up shop and online gallery come June 2.
LOS ANGELES — It’s the end of selfies as we know it. Dearest selfie fanatics, this will be my last story for the Hyperallergic selfie column; after one year of chronicling the selfie’s rise to fame, we collectively decided to let this investigation go off into the netherlands of internet data trails.
LOS ANGELES — The Los Angeles Poverty Department uses the acronym LAPD, which is deliberately named to evoke associations between police, the criminal justice system, and how people living in poverty are treated.
TULSA, Oklahoma — In the exhibition Unexpected at the Philbrook Museum Downtown, we see a series of 40 anonymous vernacular photographs from the collection of writer and photography collector Marc Boone Fitzerman, curated by the museum’s director Rand Suffolk, that offer slices of America’s forgotten narratives from the 1930s through the 1960s.