Though unequivocally a monographic show, Rerun is clearly the product of many (fresh and youthful) voices, much to its benefit.
A collection of relatable but often erudite texts, Sillman’s Faux Pas: Selected Writings and Drawings muses on the unwieldy question of painting’s status in a world preoccupied with bigger problems.
How better to illustrate the inadequacy of current restitution efforts than to offer up as tribute an object by one of Germany’s most famous artists, who thought art could bring about transformative social change?
Re-issued on the 125th anniversary of his birth, Synergetic Stew is a document of a magical life of heady science matched only by Fuller’s penchant for “light, wild things.”
At a moment when so many of us are missing physical touch and closeness, the richly colored, relentless tactility of Hildur Ásgeirsdóttir Jónsson and Kaveri Raina’s works resonate all the more deeply.
Last weekend, the Beuys stones were removed from their Chelsea location due to construction plans.
Lee Bul’s seminal work “Majestic Splendor,” removed from the Hayward Gallery, reminds us of the importance of collaboration among curators and conservators when making futuristic exhibitions.