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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

Chrysler Ford and Samuel Cooper

Chrysler Ford has been working with AndrewAndrew since 2012 and helped to provide content for PBS, WBAI, Paper Magazine, The New Yorker, and New York magazine. He also works on the blog AndrewAndrew Dinner Theatre, covering New York’s culinary and theatrical scene. He is a frequent contributor of reviews and illustrations to Hyperallergic. Follow him at ChryslerFord.com. Samuel Cooper is a writer and freelance mathematician. He tweets.

Posted inPerformance

Stories from Prison, Set Inside a Fiction

by Chrysler Ford and Samuel Cooper September 11, 2015September 11, 2015

Prison plays an ambivalent role in the imagination of many white Americans.

Posted inPerformance

Ignoring Broadway Hype in Favor of Intimate Theater

by Chrysler Ford and Samuel Cooper August 19, 2015August 18, 2015

Annie Baker’s style could not be more different from that of Hamilton: her plays are long, light on plot, spoken not sung, full of lengthy pauses.

Posted inPerformance

A Restaging of ‘Oklahoma!’ Thrusts the Audience into the Action

by Chrysler Ford and Samuel Cooper July 15, 2015

ANNANDALE-ON-HUDSON, New York — The original Oklahoma! musical from 1943 is set in the 1900s, during a much “simpler” time.

Posted inPerformance

Confronting Our Apathy Anew with Samuel Beckett

by Chrysler Ford and Samuel Cooper July 10, 2015

On paper, Happy Days looks pretty unappealing.

Posted inPerformance

David Byrne’s Avant-Color Guard

by Chrysler Ford and Samuel Cooper July 2, 2015July 2, 2015

If you’ve ever been to a high school or college football game, chances are you’ve seen a color guard.

Posted inPerformance

The Slippery Politics of Weaponized Theater

by Chrysler Ford and Samuel Cooper May 20, 2015May 21, 2015

Trash Cuisine is a play about the visceral horrors of political violence.

Posted inPerformance

A Tale of Revenge that Runs from Ancient Greece to ISIS

by Chrysler Ford and Samuel Cooper May 12, 2015

Playwright Charles Mee is a master at mining ancient myths for the truths that transcend memory-torturing details and reimagining those truths for contemporary theatergoers.

Posted inPerformance

Stravinsky’s Satiric Opera with Muddy Morals

by Chrysler Ford and Samuel Cooper May 6, 2015May 6, 2015

Clouds, shadows, and other mirrors of the soul have long led protagonists into temptation in order to deliver audiences from evil.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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