While The Pencil Is a Key spans continents, training levels, and types of imprisonment, today’s constant headlines about mass incarceration and border detentions lend it a special timeliness.
Brian Kelly
Brian P. Kelly is a writer and editor living in Brooklyn; he serves as the Wall Street Journal's Associate Arts in Review Editor. You can follow him on Twitter.
Posted inOpinion
Forensic Architecture’s Documentary on Kanders Doesn’t Absolve the Whitney Museum
A documentary at the 79th Whitney Biennial may detail horrors funded by the Whitney’s own chairperson Warren Kanders, but don’t applaud the museum for the self-criticism.