Resurfacing a little known part of the artist’s oeuvre, a new text from Fulgur Press demonstrates that occultism was thoroughly knit into the fabric of Carrington’s life.
The collection includes early modernists like Claude Cahun and Gertrud Arndt, as well as contemporary artists such as Catherine Opie and Carrie Mae Weems.
With their Fauvist hues and Pop-inflected renderings, Angus’s drawings and paintings, made amid the AIDS crisis, intrinsically queer the Western canon.
The sale at Boston’s RR Auction includes ephemera of all sorts linked to presidents from George Washington to Joe Biden.
Iconic images by Gordon Parks and Kwame Brathwaite, and a vibrant painting by Tunji Adeniyi-Jones, have entered the PAMM collection.
The Swann Galleries auction provided insight into some of the varied Works Progress Association projects sponsored by the US between 1935 and 1943.
The remaining work was returned by the estate of Cornelius Gurlitt, son of an art dealer who built a private collection in the process of helping the Nazis sell stolen art.
Your list of must-see, fun, insightful, and very New York art events this month.
“The Brutish Museums” considers the histories of cruelty that western museums perpetuate when they do not endeavor to return looted colonial artifacts.
Collectors Laurens Vancrevel and Frida de Jong, who have been building a collection of international Surrealist literature since the 1960s, donated the trove to the Museum Boijmans Van Beuningen in Rotterdam.
Pels’s work evokes a blinking unease, posing questions about the nature of power in the arenas of sex, war, and religion.
A pristine copy of “Batman No. 1” from 1940 is now the most expensive Batman title ever sold, and a rejected 1936 Tintin cover illustration became the most expensive work of comic book art.