Tali Keren’s work interrogates the insidious imbrications of religious, political, and military institutions across the United States and Israel.
From the migration of fish to the cultivation and branding of new citrus varietals, Benbenisty’s practice tracks seemingly natural phenomena while questioning their political and ecological ramifications.
Yiddishland Pavilion artists Yevgeniy Fiks, Avia Moore, and others effectively question the borders that continue to define the art world.
Yiddishland is a porous and generative project that threads itself through various pavilions, subtly undermining the national logic of the biennale.
As a coming-of-age memoir during World War II, Zoe Beloff’s Reminiscences of a Refugee Childhood is a document of a generation rapidly fading from living memory.
The Jewish Museum delves into “degenerate” art and art made under duress as part of a thought-provoking yet diffuse exhibition.