Opinion
Everything Is Not Fine in the Art World
Auction headlines offer a picture of health that hides a body in crisis.
Damien Davis
Damien Davis is a Newark-based artist and educator. His practice explores representation and identity through a visual language that recontextualizes symbols from diverse cultures, challenging historical narratives and inviting new interpretations.
Opinion
The Art School Debt Trap
MFA programs are marketed as gateways to success. The fine print tells a different story.
Satire
Night at the Biennial
The art world is a scary place. A horror satire.
Opinion
When Artists Are Too Old to Be “Emerging”
If the art world is serious about equity, it has to stop equating emergence with youth and start building structures that reflect the multiplicity of artistic timelines.
Opinion
It’s Time to Rethink the 50/50 Split With Art Galleries
Should artists accept this standard without questioning the gallery's actual contribution?
Film Review
Rashaad Newsome’s Futurist Manifesto of Black Joy
His film Assembly is more than just documentation of a performance. It’s a kind of communion.
Opinion
Juneteenth Is the Story of a Freedom Withheld
In the art world, as in America at large, spectacle is welcomed more readily than structural change.
Opinion
We’re Not Your Pride Publicity Stunt
For many Black queer artists, Pride Month doesn't feel like a celebration. It feels like extraction.
Opinion
Let It Burn
For Black people, watching the Nottoway plantation go up in flames felt like witnessing a lie collapse under the weight of truth.
Opinion
Manufacturing "Black Fatigue" in the Art World
Behind the declining demand for Black portraiture, and the backlash against Thomas J Price’s Times Square sculpture, lurks a strategic campaign of erasure.
Opinion
Who’s Afraid of Successful Black Artists?
This spring, New York's museums feature four Black artists in major solo exhibitions. Some in the media are not happy about it.
Book Review
Returning the Gaze of Ancient Egyptian Funerary Portraits
As an artist, reading Euphrosyne Doxiadis’s book made me consider how we can draw inspiration from Egyptian art while engaging it thoughtfully — reverently, even.