Interview
A Crash Course in Method Acting
Hyperallergic talks to historian Isaac Butler and curator Livia Bloom Ingram about how performance technique evolves and what is and isn’t method acting.
Dan Schindel is a freelance writer and copy editor living in Brooklyn, and a former associate editor at Hyperallergic. His portfolio and links are here .
Interview
Hyperallergic talks to historian Isaac Butler and curator Livia Bloom Ingram about how performance technique evolves and what is and isn’t method acting.
Film
Aftershock, directed by Tonya Lewis Lee and Paula Eiselt, explains the disproportionate rate of Black maternal mortality in the US.
Film
From Where They Stood examines the rare phenomenon of prisoners who were able to provide direct victim documentation of the Holocaust.
Interview
Hyperallergic talks to programmers Róisín Tapponi and Jed Rapfogel about their Anthology Film Archives retrospective and formative erotic film experiences.
Film
Stuffed with references to historical and contemporary film, Olivier Assayas’s miniseries version of his own 1996 film Irma Vep is sometimes too clever for its own good.
Film
Set in remote Idaho, Bitterbrush is a satisfyingly different kind of Western.
Film
Portuguese filmmaker Filipa César, whose work is the subject of an online retrospective hosted by Metrograph, seeks to help Bissau-Guineans preserve the memory of their revolution.
Film
Made over the course of 30 years by special effects legend Phil Tippett, this stop-motion animated epic is a feast of creatively horrifying imagery.
Film
End of the Line captures five years of failed efforts to fix the city’s disastrously bad train infrastructure.
Film
This year’s iteration includes titles about AOC, the making of movie sex scenes, and what’s happened to the “stars” of older documentaries.
Film
The Janes interviews former members of Chicago’s underground network that helped people secure abortions.
Film
In yet another horror movie that’s actually about trauma, writer-director Alex Garland makes his points bluntly, having one actor play many facets of misogyny.