Film
An Artist Tries to Save Pepe the Frog From Fascists
The film Feels Good Man chronicles Matt Furie fighting his creation's co-option by the far right.
Dan Schindel is a freelance writer and copy editor living in Brooklyn, and a former associate editor at Hyperallergic. His portfolio and links are here .
Film
The film Feels Good Man chronicles Matt Furie fighting his creation's co-option by the far right.
Film
The documentary #Unfit is the latest attempt to explain Trump’s destructive policies via psychology. This only ever causes more harm than good, especially for people with confirmed mental illnesses.
Film
How to see works by pioneers of queer cinema, multiple restorations of '90s gems, and standouts of New Taiwanese Cinema.
Film
The dissident artist’s critique of his home country remains relentless, in particular identifying how bureaucracy can leave people out in the cold.
Film
The Museum of Modern Art has released a short film of a German elevated train from its archives, and it absolutely rules.
Art
The UC Berkeley Art Museum and Pacific Film Archive has digitized hundreds of hours of raw footage by TVTV, a collective of “video freaks” active throughout the 1970s.
Art
The National Museum of the American Indian will be hosting two screenings of the documentary More Than a Word alongside a conversation with activist Amanda Blackhorse, who took pro football to court.
News
Since the beginning of the quarantine, the artist was remotely directing a crew of camerapeople to document the government's response to the virus.
Film
Tesla is less “the story of Tesla” and more a dialogue with the audience about the infamously eccentric figure.
News
The Institute and Artist Relief have awarded more than $400,000 in total to a diverse group of film organizations and collectives.
News
The collective Brown Girls Doc Mafia has created the searchable database to "eradicate the excuse many gatekeepers use of 'not knowing how to find' quality filmmakers or executives of color."
Film
For the new documentary Boys State, directors Jesse Moss and Amanda McBaine use a long-running youth program to examine US democracy. The result is is both comedy and horror.