Featuring a delicate lead performance by Christine Froseth, this is a smart, sometimes purposefully discomfiting comedy about taking control of one’s sexuality.
Dan Schindel
Dan Schindel is a freelance writer and copy editor living in Brooklyn, and a former associate editor at Hyperallergic. His portfolio and links are here.
Posted inFilm
The Book Club That’s Been Discussing the Same Proust Novel for 20 Years
At first, simply watching people read In Search of Lost Time might seem dull; by the end, you’ll be itching to read or reread it yourself.
Posted inFilm
What It Takes for Immigrant Daughters to Make It in America
Isabel Castro’s Mija follows two daughters of immigrants breaking into the music business.
Posted inFilm
The Art of Making It Is a Film for Those Who Haven’t Been Paying Attention
The documentary has impressive access to contemporary art world figures, but comes up with no good solutions for the many problems it discusses.
Posted inFilm
Television’s Best Action Cartoon Is Back
Directed by virtuous animator Genndy Tartakovsky, Primal is a continuously inventive and exciting adventure through a prehistoric fantasy world.
Posted inFilm
The First Feature Documentary Made Entirely in Virtual Reality
We Met in Virtual Reality raises the bar for VR filmmaking, and has an optimistic vision for the potential of the metaverse.
Posted inFilm
Jordan Peele’s Nope Is Funny, Intelligent, and Horrifying
It’s another equally thrilling and smart ride from the rising director, subtly tackling intersecting ideas about “seeing” and “being seen” along the way.
Posted inFilm
A Crash Course in Method Acting
Hyperallergic talks to historian Isaac Butler and curator Livia Bloom Ingram about how performance technique evolves and what is and isn’t method acting.
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A Documentary Unravels the Danger of Being Black and Pregnant in the US
Aftershock, directed by Tonya Lewis Lee and Paula Eiselt, explains the disproportionate rate of Black maternal mortality in the US.
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A Documentary Traces How Prisoners Documented Nazi Concentration Camps
From Where They Stood examines the rare phenomenon of prisoners who were able to provide direct victim documentation of the Holocaust.
Posted inFilm
Talking Sex With Two Film Curators
Hyperallergic talks to programmers Róisín Tapponi and Jed Rapfogel about their Anthology Film Archives retrospective and formative erotic film experiences.
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A Meta Remake-of-a-Remake Muses on the State of Cinema
Stuffed with references to historical and contemporary film, Olivier Assayas’s miniseries version of his own 1996 film Irma Vep is sometimes too clever for its own good.