Interview
Power Traces the History of Policing in the US
Following the 2020 Black Lives Matter protests, filmmaker Yance Ford was struck by the question: “What, exactly, do the police exist to do?”
Dan Schindel
Dan Schindel is a freelance writer and copy editor living in Brooklyn, and a former associate editor at Hyperallergic. His portfolio and links are here .
Film
Five Video Essays to Close Out May
Plus, a tool set to make your own video essays.
Film
A Japanese Reality Show’s Dark Legacy
Livestreaming, confessional monologues, and subjects’ willingness to let mass audiences surveil them all started here.
Film
Half a Century of American Culture Through the Lens of One Photographer
James Hamilton’s career conveniently mirrors the changing fortunes of journalism as an industry.
Film
Nigeria’s Youth Fight for a Better Future
Alain Kassanda’s Coconut Head Generation is a testament to how young people find themselves through each other no matter the place, times, or means.
Interview
Benshi Performers Pass Along a Way of Thinking
Ichirō Kataoka and Kumiko Ōmori tell Hyperallergic about the modern-day conventions and challenges of the Japanese art of narrating silent films.
Film
Art Made for Nobody, and Other Video Essays to Watch This Month
This April: video essays on Palestine, AI, Nathan Fielder, and more.
Film
Can Women Save America?
Girls State follows a group of young women participating in the mock political program in Missouri just before the overturn of Roe v. Wade.
Film
Fiction and Fact Intermingle at the First Look Film Festival
The Museum of the Moving Image’s annual experimental cinema event features several films that remix archival materials.
Film
A Batch of Video Essays for the Last Days of Winter
Donald Duck, Disney theme parks, and other excitement make up this month’s video essay roundup.
Film
Behind the Scenes of Amazon Workers’ Fight for a Union
Brett Story’s Union demonstrates how the tedium of labor organizing can sometimes catalyze electric triumphs.
Film
Once Upon a Time in Brighton Beach
Two recently restored films by women directors offer differing snapshots of America of the 1970s and ’80s.