As usual in large commercial fairs, most of what you’ll see at Frieze quickly devolves into so much product, but there is still some soul to be found amongst the gaudy baubles.
Daniel Gerwin
Daniel Gerwin is an artist and writer living in Los Angeles.
Posted inArt
Remembering Sarah Cromarty’s Painted Portals and Prophets
An exhibition pays tribute to the wondrous vision of a Los Angeles-based artist who died this year at the age of 37.
Posted inArt
The Potent Realism of Robert Pruitt’s Black Portraiture
Pruitt unexpectedly makes draftsmanship feel relevant, even urgent.
Posted inArt
B. Wurtz Makes Absurd, Profound Art from Overlooked Stuff
For Wurtz, self-knowledge is not found on a psychoanalyst’s couch or a remote mountaintop, but in the things with which we surround ourselves.
Posted inArt
How Channa Horwitz Pushed Beyond the Precincts of Minimalism
Though her art shares common ground with Sol LeWitt, with whom she had a warm correspondence and even traded work, Horwitz was not granted even a fraction of his renown.
Posted inArt
An Artist Asserts Control Over the Commodification of Her Work
Carmen Argote’s exhibition at Commonwealth and Council suggests that she has no money left after participating in Made in LA, displaying work that resists any potential role as pricey art objects.
Posted inArt
Nicole Eisenman’s Portraits of Angry White Men
We have seen these men before; they are oafish and hapless, yet dangerous. They are Philip Guston’s Klansmen, back from the dead to ruin us.
Posted inArt
Mark Bradford Appropriates Comic Books and Delves Into the Sublime
Bradford’s new paintings tell us how much we don’t know.
Posted inArt
Two Fresh Takes on Portraying Female Bathers in Art
Katherine Bradford and Jen DeNike remind me how much more there is to water in their gem-like show at AE2.
Posted inArt
Entering Two Painters’ Visions of Home
In Home Work, Ann Toebbe and Sarah McEneaney posit two different visions of middle-class domestic space.
Posted inArt
From Bullets to a Banquet, Political Works in Clay
Emily Marchand’s and Lena Wolek’s clay works at NowSpace are funny and grim, dystopian yet joyous.
Posted inArt
An Artist Reimagines His Ancestors Through Costumed Self-Portraits
What separates Ken Gonzales-Day’s exhibition Bone-Grass Boy from the mass of artwork addressing the politics of representation is its investment in intimate autobiography.