A man once knocked Daniel Larkin off his bar stool and flung mean words. He got up, smiled, and laughed as the bouncer showed him out. He doesn't give anyone the power to rain on his parade. It's more important for Daniel to be happy than famous.
Art
Do you know Adonis? He's not like those other male nudes that only exist to flaunt their bodies. Adonis has a touch of the ethereal. Delicate, almost elvish, features lend a gentleness to his face. He's taut but not Herculean. He is mature but retains the slim, willowy frame of youth. This special k
Art
Isn't (the day after) Valentine's Day an ideal time for remembering the most seductive of all US presidents, Bill Clinton? Who else could have twisted the meaning of a cigar in the Oval Office and kept Hillary — who doesn't take shit from anyone (else)?
Books
So, let's just go for it. What the hell happened in art history after the 1950s when the real, discrete art movements started to break down? That’s right — we’re taking the bull by the horns here, tackling the big questions.
Art
Visual puns don't get much better than this. A little red dog balloon sculpture by the simultaneously celebrated and reviled artist Jeff Koons has finally gotten what it deserves. Damaged and missing a few limbs, it sits on a silver platter like the head of John the Baptist waiting to become the pun
Art
This weekend is your last chance to take in the colorful and wry paintings of Scooter LaForge, in his exhibition Super Powers and Special Abilities at Munch Gallery. A New Yorker to the core, LaForge makes works that are brash and whimsical, tough and sweet, and infused with a humor that's both dark
Art
Despite the drizzle on a chilly evening, there was a packed (if small) house last night at the International Studio and Curatorial Program (ISCP); the reason was a conversation between Brooklyn artist Josiah McElheny and Parisian artist Camille Henrot.
News
An abandoned firehouse on the east end of 125th Street will be renovated and transformed into the new home of the Caribbean Cultural Center African Diaspora Institute.
Art
All of us crave bad things, and want them bad. Do we know they damage us? Yes. Does it still feel good in the heat of the moment? Absolutely. Do we vow to stop? Of course. Do we do it again? Well, uh ... Most art tackles this bad-things-feel-good conundrum with angst, fire, and brimstone. Jae Yong K
Art
Matthew Miller's portraits against a black void have attracted a solid following in the past few years. Several New York critics, who seldom agree with each other, have all written with gushing admiration. The openings this month for Miller's twin shows at Pocket Utopia ad C G Boerner were packed an
Art
When the artists of Red Hook, the waterfront neighborhood on the western edge of Brooklyn, opened up their studios for the GO Brooklyn weekend, it felt more like they opened Pandora's box. There was no limit to the creativity on view — every trend, mannerism, style, and strategy imaginable was on di
Art
For three hot days, a show of street art by artists of Iranian descent, Made in Iran, is up at the Openhouse Gallery in Little Italy. Created by a team of two brothers, known as Icy and Sot, it’s a show of high impact stencils that pack a punch with just a few symbols.
Art
Gio Black Peter pulls off some brilliant effects with markers. His current body of work at the Munch Gallery, juxtaposed against drawings by other artists in a summer group show, gets a ton of mileage out of hurling a jolt of neon at the viewer.