Johnson’s winding works prompt as many questions as they provide answers, percolating with repetition, address, and alternates.
Based on a true story, I Carry You With Me captures the nuances of leaving and longing.
A testament to José Esteban Muñoz’s ongoing legacy and influence, the hybrid exhibition gestures towards the expansiveness and accessibility we need.
A collaboration between We Buy Gold and Orange Barrel Media, Walls for a Cause NYC presents a safer, yet still poignant opportunity for art viewing.
With his recent book, Ricardo Montez complicates notions of collaboration, refusing clean conclusions about Haring’s work and relationships.
Gorman, the youngest poet to ever perform at a US presidential inauguration, moved audiences across the nation with her perspective on a country “striving to forge a union with purpose.”
The 8-hour online program will debut new works, reimaginings, and collaborations by artists such as Yvonne Rainer, Glenn Kaino, Barbara Kruger, and the WideAwakes.
For six decades, Gilliam’s colors have swirled on canvases, his practice levitating above categorizations. For his latest exhibition, the artist has created what he calls a “dance” between three new bodies of work.
Wings of Change, the forthcoming New York debut of Billie Zangewa, will bring together a selection of the artist’s tender silk collages, which revel in Black domestic intimacy.
Organized by Diya Vij and Theodore (ted) Kerr, MOURN ON THE 4th of JULY rejects “patriotic fanfare,” inviting responses from artists, writers, and organizers nationwide.
Lacking any attempts to deepen or broaden conversations about Hujar’s work, Cruising Utopia at Pace Gallery feels more like a store than an exhibition.
Maravilla’s efforts, which include raising money and distributing groceries to undocumented communities, are one example of efforts directly addressing communities of color disproportionately impacted by the pandemic.