Now and then, I suspect that an honest art writer might feel as if he or she is losing it.
Author Archives: David Carrier
David Carrier is a philosopher who writes art criticism. His Aesthetic Theory, Abstract Art and Lawrence Carroll (Bloomsbury) and with Joachim Pissarro, Aesthetics of the Margins/ The Margins of Aesthetics: Wild Art Explained (Penn State University Press) were published in 2018. He is writing a book about the historic center of Naples, and with Pissarro he conducted a sequence of interviews with museum directors for Brooklyn Rail.
When the Exhibition Becomes a Work of Art
Who would have thought that still lifes would create such a strong reaction?
The Endlessly Inventive Jörg Immendorff
Imagine Gustave Courbet’s materialism joined to Max Beckmann’s aggressive color, with a dash of Caspar David Friedrich’s visionary panoramas thrown in.
El Greco, Modernist Hero
Set the works of El Greco alongside those of Paul Cézanne, Edgar Degas, or Pablo Picasso, and you can see why they admired and copied him.
Are We Prepared to Look Seriously at de Chirico?
I want to resist any temptation to interpret these pictures, to reveal ‘meanings,’ instead of acknowledging the ways they underscore the strangeness of the workaday world.
Andy Warhol Dreams of God
Because the contemporary art world is such a secular place, there hasn’t been much attention given to Warhol-the-Catholic, until now.
A Richard Serra Thought Experiment
Serra’s new works are the ultimate billionaire’s art.
Pierre Soulages, Extreme Painter at 100
Soulages is not a reductive painter, but an artist who enlarges our sense of tradition by demonstrating the infinite potential of a single pigment.
Twenty Years of Peter Schjeldahl
Schjeldhal moves quickly to characterize an artist, like a cat pouncing on his prey.
The Liberating Power of Conversations About Art
When I got to know Bill Berkson, my life as a writer was completely changed.