• Become a Member
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Podcast
  • Store
  • Sign In
  • Twitter
  • Instagram
  • Facebook
  • LinkedIn
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Podcast
  • Store
  • Sign In
  • Twitter
  • Instagram
  • Facebook
  • LinkedIn
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
  • Become a Member
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Podcast
  • Store
  • Sign In
  • Twitter
  • Instagram
  • Facebook
  • LinkedIn
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
Skip to content
Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

Membership

David Carrier

David Carrier’s most recent books are Art Writing Online: The State of the Art World and Philosophical Skepticism as the Subject of Art: Maria Bussmann’s Drawings. His book In Caravaggio’s Shadow: Naples as a Work of Art is forthcoming. 

Posted inArt

Color Field, Then and Now

by David Carrier March 7, 2020March 7, 2020

I fear that the visual culture in which these works were admired is now one of those distant “you had to be there” moments, which are impossible to reconstruct.

Posted inArt

Sculpting With Light, Drawing With Shadow

by David Carrier February 29, 2020February 28, 2020

It’s hard to identify precedents for Christopher Wilmarth’s sculpture, which uses its banal modern materials purely abstractly.

Posted inArt

Taking Appropriation Too Far

by David Carrier February 22, 2020February 21, 2020

To manipulate the historical record, I would think, is to abandon the search for truth.

Posted inArt

Kehinde Wiley Seizes the Throne

by David Carrier February 15, 2020February 14, 2020

Wiley shows us that a Black man can indeed take the place of Napoleon.

Posted inArt

Jake Berthot’s Nowhere Land

by David Carrier February 8, 2020February 7, 2020

All that I saw were some small and medium-sized paintings, mostly very dark, almost indistinguishable. How could I review this show?

Posted inArt

Do the Old Masters Still Speak to Us?

by David Carrier February 1, 2020February 2, 2020

Now and then, I suspect that an honest art writer might feel as if he or she is losing it.

Posted inArt

When the Exhibition Becomes a Work of Art

by David Carrier January 11, 2020January 10, 2020

Who would have thought that still lifes would create such a strong reaction?

Posted inArt

Ernst Ludwig Kirchner, Painter of Modern Anxiety

by David Carrier January 4, 2020January 3, 2020

Kirchner was the anti-Matisse.

Posted inArt

The Endlessly Inventive Jörg Immendorff

by David Carrier December 28, 2019December 28, 2019

Imagine Gustave Courbet’s materialism joined to Max Beckmann’s aggressive color, with a dash of Caspar David Friedrich’s visionary panoramas thrown in.

Posted inArt

El Greco, Modernist Hero

by David Carrier December 7, 2019December 6, 2019

Set the works of El Greco alongside those of Paul Cézanne, Edgar Degas, or Pablo Picasso, and you can see why they admired and copied him.

Posted inArt

Are We Prepared to Look Seriously at de Chirico?

by David Carrier November 23, 2019November 25, 2019

I want to resist any temptation to interpret these pictures, to reveal ‘meanings,’ instead of acknowledging the ways they underscore the strangeness of the workaday world.

Posted inArt

Andy Warhol Dreams of God

by David Carrier November 2, 2019November 1, 2019

Because the contemporary art world is such a secular place, there hasn’t been much attention given to Warhol-the-Catholic, until now.

Posts navigation

Newer posts 1 2 3 4 5 6 … 8 Older posts

Popular

  • Best Museum Bathrooms in the US, Ranked
  • Artists Who Say They Were Silenced Agree to Six-Figure Settlement With Tate
  • Behold the Rise of “Dark Brandon”
  • How Did a Banksy West Bank Mural End Up at an Israeli Gallery?
  • Naotaka Hiro and Embodying the Act of Painting
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn

Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

  • Home
  • Latest
  • Podcast
  • Store
  • About
  • Support Us
  • Advertise
  • Contact Us
  • Sign In
  • Membership
  • Newsletters
  • Submissions
  • Careers
© 2022 Hyperallergic. Proudly powered by Newspack by Automattic Privacy Policy