The revival of Tony Kushner’s play offers a lens into gayness in the dimension of history — what is intransigent, what is still promissory, and what is so profoundly disappointing.
David Lê
David Lê is a writer and editor from Staten Island. He writes about politics, art, and religion, broadly conceived. He is a semi-recent graduate of the Religion and Critical Thought doctoral program at Brown University, where he focused on nationalism, Hegel, and memorials.