NO EVIL EYE brings experimental film and politics to the forefront with a touring program currently screening in Brooklyn.
Dominic DeLuque
Dominic DeLuque is a writer and independent curator living between New York City and Miami. He received his bachelor's in art history from New York University and enjoys loitering in air-conditioned museums.
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Artists Examine the Troubling Histories of Medical Abuse and Human Experimentation
Baneful Medicine looks to the past, but offers an opportunity to ponder bodily autonomy, informed consent, and medical practice in the present.
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Cai Guo-Qiang’s Whimsical Pedicabs Light Up Philly
Cai’s public art project Fireflies invites visitors to ride in padicabs illuminated by lanterns down the bustling Benjamin Franklin Parkway.
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An Off-Kilter Homage to Boston’s 18th-Century Quaker Architecture
Mark Reigelman II’s colorful public art piece is made up of 20 different parts using traditional woodworking techniques.
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A Bedazzled Alternate World Where Death Comes to Life
Raúl de Nieves’s El Rio at Company Gallery is totally alien to Western notions of death.
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Confronting Mainstays and Existential Questions at Art Miami and Context
MIAMI — Since Art Basel’s Miami Beach fair set down its roots over a decade ago, Miami Art Week has become a cacophony of satellite fairs and events jam-packing the international art circuit’s calendar for the first week of December.
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Corita Kent’s Political and Holy Language in the Context of Pop
CAMBRIDGE, Mass. — Among Pop art’s notable motifs are capitalism, consumerism, and now Catholicism.
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Use Your Phone, Animate Your Clothing
Last week, Ace Hotel’s cozy gallery space opened its latest exhibition, Blastosphere: Digital Art Becomes 3D Fashion.
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When Postinternet Art Starts to All Look the Same
Molly Soda is an art darling of a generation that grew up with the internet as a constant companion.