Art
A Slice of Space, History, and Time at the Whitney Museum
When Robert Irwin abandoned his Venice beach studio in 1970 he did not know where he would go next.
Don Edler
Don Edler is a artist and occasional writer who, when not searching the world for new art to look at, he is in his studio making sculptures or reading books. Don lives and works in New York City.
Art
Family Portrait on the Moon
Have you seen the photograph of Astronaut Charles Duke and his family that was left on the Moon in 1972? It is a small 3x5 color photo of Duke, his wife Dorothy and their two sons Charles and Thomas posing for a studio portrait. If you visit the American Museum of Natural History in New York you can
Art
I Dreamt of Going to Space Camp
Tom Sachs’ Space Mission: Mars is a lot like Space Camp for adults. For me, Space Camp represents a forever unattainable dream of my childhood. I grew-up on the Space Coast in Florida, watching every shuttle launch, dreaming of going to Space Camp, but never being able to afford it. I have a feeling
Art
The Problem with Hennessy Youngman
Jayson Musson is a very popular man in the art world. His YouTube account has over 900,000 views, and his fans are rabid. The funny thing is, though, most of his fans probably have no idea who he is. Here’s the answer: Jayson Musson is the artist behind Hennessy Youngman.
Art
Frieze Fatigue
I had heard that Frieze New York was huge, but I have been to Armory and Basel Miami, so I assumed that it was just another art fair, sure there would be a lot of stuff to look at, but nothing this hardened New Yorker couldn't handle.
Interview
The Artist Who Started the What People Think I Do/What I Really Do Meme
Some time early last week, I began to notice the “What People Think I Do/What I Really Do” graphics on my Facebook news feed. The first time I clicked on one, I had a quick laugh — I thought it was witty. A few days later it seemed like my news feed had been converted into a focused, peer-curated on
News
Space, Play, Form and Distortion
Walking through the Lower East Side this morning, I couldn’t help but revisit a lingering thought I have had about the reemergence of a loose trend in today’s young contemporary art: formalism.