Film
Juliette Binoche Offers a Tantalizing Performance in Her Two Latest Films
In both High Life and Non-Fiction, Binoche is a temptress equally tender and intimidating.
Eileen G’Sell is a poet and culture critic whose work focuses on gender, sexuality, and economic class. She is a 2023 winner of the Rabkin Foundation Prize in arts journalism and teaches at Washington University in St. Louis.
Film
In both High Life and Non-Fiction, Binoche is a temptress equally tender and intimidating.
Film
Balancing verité grit with sometimes-howling humor, Matteo Garrone's new movie is subtler than what viewers might anticipate.
Film
The female-forward characters and the matrilineal Wayúu tribe the movie orbits have gone surprisingly under-explored by film critics.
Art
Virginia Lee Montgomery toys with the psychic space in which abjection is gendered, playfully prodding erotic hierarchies.
Art
The subjects of Wiley's Ferguson paintings launch a vibrant dialogue between the canvas of the painting and the canvas of the body.
Film
While the female protagonists in Barbara Loden's Wanda and Susan Seidelman's Smithereens may be lost — and legitimately poor — the one thing they are not is self-pitying.
Art
While artist’s career has consistently invited interpretation based in institutional critique and real-world tumult, it is equally constructive to consider her work from a psychological, rather than political, vantage.
Art
Damon Davis plumbs the depths of Black history, fantasy, and mythology to create a vision of power and resilience in his St. Louis exhibition.
Film
One Sings, the Other Doesn't, Varda's precious and poignant feminist musical from 1977 has been restored.
Film
The provocative auteur's latest, The Misandrists, attempts a tongue-in-cheek critique of radical feminism.
Film
Let the Sunshine In is a rom-com only insofar as our heroine, a successful painter and divorcee, drinks and sleeps with a lot of men and frets about it later; but the laughs are few and the sighs are heavy.
Film
French director Bruno Dumont's latest, a ponderous experimental musical about Joan of Arc's childhood, celebrates the innocence and banality of a young saint’s life.