In his latest film, Zombi Child, Bertrand Bonello complements his usual emphasis on aesthetics with an insightful critique of colonialism and the contradictions of liberalism.
The Wild Goose Lake is the latest Chinese crime film to smuggle a critique of the country’s inequality, surveillance, and the police state under the guise of genre.
Across social media, various players love to test game realism. What do the limits of this realism say about the future of the medium?
A retrospective series at the Museum of Modern Art is putting a spotlight on the veteran documentarian.