The films of Distance Noguchi show the empty museum’s famous sculpture garden faintly stirred by the wind, the gentle splash of a fountain, or the chance arrival of a bird.

Glenn Adamson
Glenn Adamson is currently a senior scholar at the Yale Center for British Art, and the editor-at-large of The Magazine Antiques. A curator and theorist who works across the fields of design, craft, and contemporary art, he was also a former director of the Museum of Arts and Design, New York. His publications include Art in the Making (2016, co-authored with Julia Bryan Wilson); Invention of Craft (2013); Postmodernism: Style and Subversion (2011); The Craft Reader (2010); and Thinking Through Craft (2007).
Getting to Noh: Myths of Japanese Minimalism
The stereotype of Japan as a “less-is-more” kind of country is, in fact, quite misleading.
A Young Designer’s Pulpy and Surprisingly Personal Furniture
Thomas Barger, whose material of choice is colorful paper pulp, is part of a generation of adventurous furniture designers reshaping their field in the US.
Katherine Westphal, Fiber Art Pioneer, Dies at 99
In a career that kept her on the move for many years, Westphal was endlessly curious and creative, working in ceramics, quilting, fiber, Xerox, and wearable art.
A Shrewd Designer Balances Craft and Commerce
The artisanal has always been seen as a counterweight to the industrial. Both appear in the work of Patricia Urquiola.
The Seamless Weaving of Fine Arts with Crafts
Anissa Mack uses the county craft fair as inspiration, context, and content.
Weaving Together the Story of a Forgotten Pop Artist and Her Rugs
In the annals of overlooked artists, Dorothy Grebenak is an extreme case.