This week, Bored Yacht Club’s NFT millions, fry bread, new space race capitalism, the legacy of Nazi art, and more.
This week, how Hollywood tried to suppress a film post-9/11, Walt Whitman’s words for today, Dune director breaks down a pivotal scene, DW documents the environmental scourge of fast fashion, and much more.
“For years, Papa Renty’s slave owners profited from his suffering,” Lanier said in a statement at the time. “It’s time for Harvard to stop doing the same thing to our family.”
Every utopia is a social experiment, the artist suggests in this commission for the Performa performance art biennial, and we’re ultimately the guinea pigs.
This week, the National Gallery of Art finally acquired a major work by Faith Ringgold, the director of The Velvet Underground talks film, North America’s Hindu Nationalist problem, canceling legacy admissions, and more.
This week, addressing a transphobic comedy special on Netflix, the story behind KKK hoods, cultural identity fraud, an anti-Semitic take on modern art, and more.
This week, Bad Art Friends, framing Latinx art, “Don’t Ask, Don’t Tell” the comic, Facebook’s continuing problems, and more.
This week, a rare Frida Kahlo self-portrait is going to auction, the Lanier family continues fighting to have photos of their enslaved ancestors returned from Harvard, a restoration of a late work by Michelangelo, and more.
This week, LA’s new Academy Museum, the intersections of anti-Blackness and anti-fatness, a largely unknown 19th century Black theater in NYC, sign language interpreters, and more.
The new documentary Bob Ross: Happy Accidents, Betrayal & Greed pulls back the curtain to expose the realities of Bob Ross, Inc. but does it go far enough?
In this issue, we asked six art critics to focus their critical lens on the television programs they were watching during the pandemic.
This week, the scourge of immersive exhibitions, the popularity of anti-vax deathbed videos, the pregnant man emoji, Chomsky on Afghanistan, Met Gala commentary, and more.