The works, and worlds, on display in Hancock’s exhibition seem saturated with a desire for narrative redemption through self-observation and aspects of his Christian upbringing.
Jennifer Remenchik
Jennifer Remenchik is an artist and writer living in Los Angeles.
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Anja Salonen’s Surrealist Paintings of Existential Unease
Salonen’s paintings point to a location in which reality is slippery, ill-defined — a dream or place of play.
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Soft Scenes of a Rough Life of Labor
Daisuke Fukunaga depicts Japanese workers as tired but happy. Are they, really?
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Lydia Maria Pfeffer’s World of Fertility, Abundance, and Play
Anthropomorphized frog, insect, and bird figures bob in the background, dancing at the same spring ball.
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Jonny Negron’s Darker Portraits of Party Life
Jonny Negron captures the disappointment and delights of Dionysian narcissism.
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An LA Gallery’s Sexy Xmas Tradition
The Lodge has a cheeky interpretation of Christmas cheer.
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UCLA’s Graduate Open Studios Buzzed With Dreams
Artist Catherine Opie, in her first year as the chair of the UCLA Department of Art, told Hyperallergic that the faculty heavily considers how the artists will play off each other.
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A Painter’s Delicate, Sexual, and Clinical Visions of Birth
Bridget Mullen draws a line between the act of birth and the act of making art.
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Uncanny Paintings Tell a Story of This Year’s Unease
Lauren Satlowski’s paintings reflect the angst and solitude of the present moment, while thankfully leaving out any mention of face masks.
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Artists in Nasty Women Show Embrace the Bold, Confident, and Unapologetic
Reclaiming the infamous insult hurled at Hillary Clinton by Donald Trump, this show celebrates women’s contributions to art.
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A Painter’s Sincere Affection for the Heart Ideogram
Linda Stark lends serious attention to the heart symbol, which, like most symbols associated with women and femininity, is easily dismissed and oft-overlooked.
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The Visual Magic of Helen Frankenthaler’s Los Angeles Prints
In 1979, Frankenthaler traveled to the West Coast and was introduced to the gallery and studio Mixografia, where she would eventually produce a series of serene and exuberant prints.