Jennifer Samet is an art historian based in New York City and the Hudson Valley.
Interview
What I hoped to get from talking to David Humphrey were answers. The images in his paintings are zany, raunchy, and wild: a girl in a lawn chair holding monkeys by their scalps; a woman absent-mindedly marking another woman’s buttocks with daubs of paint; cats sitting beside slices of white bread pa
Interview
Todd Bienvenu’s studio is filled with stacks: art books on the floor, paintings leaning against the wall. Bienvenu’s work deals with omnivorous appetites – for company, pleasure, fun, music.
Interview
When I first met Eric Aho in New Hampshire two summers ago, we were sitting in the grass in front of the bakery at Orchard Hill Farm. We bonded over the best bread in the world (really!) made by his former student at the Putney School, and the next day I visited his studio, just across the Vermont b
Interview
In Jenny Dubnau’s Long Island City studio is a vertical mirror with adhesive stenciled letters spelling out the name “Jennifer.”
Art
Considering that I had always thought of Amy Sillman as an abstract painter, I was surprised to encounter, after seeing her mid-career retrospective at the Hessel Museum of Bard College, an oeuvre that was entirely about the body, touch, and the awkwardness of human interaction.
Interview
When I arrived at Catherine Murphy’s home in Poughkeepsie, New York, I was led down a long outdoor path to her studio. Murphy was working on a painting of a pie crust; she asked her assistant to put the dough on ice while she spoke with me.
Interview
Graham Nickson and I met in his offices at the New York Studio School, where he has been Dean since 1988. There was a pointed severity to our meeting-place, which offered no distractions from the task at hand.
Art
It is hard to imagine a more striking presentation of the life and work of Robert De Niro, Sr. (1922–1993) than the current exhibition of his work at DC Moore Gallery and the documentary, Remembering the Artist Robert De Niro, Sr., which premiered on HBO June 9.
Interview
I was surprised when Mark Greenwold gave me his address, because it was, like my own apartment, in “upstate Manhattan,” a far remove from the center of the art world.
Interview
Josephine Halvorson and I met on a late winter day when the chill was starting to melt, and talked over omelettes at the window of the Red Cat in Chelsea. It was early on a weekday, the restaurant felt quietly elegant, the light outdoors mellowed by cloud cover. As Halvorson noted, even the potatoes
Interview
A couple of years ago, I heard Chris Martin give a talk to Columbia MFA students. Rather than the standard artist’s slide lecture, Martin brought along his conga drums and a small band, a girl wearing a metallic dress and carrying a boom box, and a couple of people who tore sheets from a book of Ita
Interview
A couple of years ago, while we were walking through the de Kooning exhibition at the Museum of Modern Art, Ryan Cobourn said to me, “Your interviews with artists should be more informal and rambling. You should do them, y’know, over beer.”