A son of the Chicago suburbs, Jeremy Polacek has somehow lived in New York City longer than in that metropolis of the Midwest. Often found in the dim light of the theatre or library, he tweets at @JeremyPolacek.
Art
Seventeen spartan benches rest in a white-walled room with one window and overhead lighting. On display at Murray Guy, the benches are the result of years of exacting effort by artist Francis Cape to record and reproduce the humble seats of congregants in intentional communities. These groups were A
Film
Set sometime in the ’80s, mumblecore maven Andrew Bujalski’s fourth feature, Computer Chess, is an adventurous and peculiar period piece. Chronicling a tournament of computers competing in chess and the programmers who code them, the film endearingly evokes the nascent and heady era before smart pho
Art
In art, control is an elemental if underappreciated principle. At a basic level, art entails control; control over material, control over process, a lack of control over chance. Amid the chaos of life, what do you seek to selectively remove and stage? Richard Avedon viewed it as art’s defining eleme
Art
Distilling violence into art is a tricky alchemy. Even when done carefully, it can result in a strange brew, leaving some intoxicated and moved by its heady ascetics, others feeling sick and hung-up on its inherent horror, sadness, and trauma. In On Photography, Susan Sontag famously enunciated that