The contribution of Structures for Life is its ability to move beyond Saint Phalle’s most acclaimed works.
There’s something deeply violent lurking below the surface of Man Ray and Fashion, an aspect made all the more troubling by a curatorial strategy of omission.
At the Palais de Tokyo, mounting an exhibition loosely about infection, during a pandemic, presents its challenges.
The intriguing exhibition Parisian Exodus demonstrates the importance of documenting such moments of upheaval with nuance.
The show at the Pompidou Center demonstrates that the artists’ reputation as “ephemeral architects” or “temporary monument” makers is incomplete, if not altogether incorrect.