Art
Let Legibility in Art Be Damned
The slippage between legibility and illegibility in Leah Ke Yi Zheng’s work pushes against the assumption that a painting must acknowledge its surface.
Art
The slippage between legibility and illegibility in Leah Ke Yi Zheng’s work pushes against the assumption that a painting must acknowledge its surface.
Art
One of the underlying commonalities among the sites Liu has painted is the deleterious consequences of modernization on a traditional society or group.
Art
Thompson wanted to author a world where the struggle between chaos and order, structure and impulse, the rational and irrational is never settled.
Art
An unclassifiable artist and a deep reader, Jen Bervin has expanded the notion of what it is to be a poet in the 21st century.
Art
In contrast to the speed and bravura of gestural abstraction, new.shiver slows time, and invites viewers to ponder how one might shape time passing.
Art
Her work derives its power from the instability of not knowing exactly what ground you’re standing on when looking at it.
Art
By dealing with class in his art, Bollinger touches on the strain infecting the current “us and them” situation in the United States.
Art
Maia Ruth Lee wants viewers to make associations as well as recognize the unstable world in which she and many others live.
Art
The city could use more political public murals like those of the artist known as Rigo 23.
Art
The position Shear has been defining in his work is one that accepts, contemplates, and reimagines the possibilities of abstract painting.
Art
She invites the viewer to contemplate all the ways we mark and live in time, and how much of what we record and keep we will eventually dispose of.
Art
Kimetha Vanderveen's paintings are about the interaction of materiality and light, the bond between the palpable and ephemeral world in which we live.