Art
Woomin Kim Quilts the Nomadic Side of Global Capitalism
Her works, depicting objects from Korean markets, invite viewers to marvel at what can be achieved with fabric.
John Yau
Art
Alison Hall's Hypnotic Paintings Invite Slow Looking
Hall makes no attempt to entice the viewer to begin looking and to look again, letting her methodical craft compel viewers to reflect upon their experience.
Art
Stanley Rosen’s Embrace of Vulnerability
If art is regarded traditionally as an impermeable form that resists the effects of time, Rosen acknowledges and accepts their inevitable triumph.
Art
Geometric Abstraction for a Shattered World
Gary Petersen recognizes that whatever dream of unity geometric artists once pursued is no longer possible.
Art
The Endless Realities of Evelyn Statsinger's Art
Statsinger has created a world that is simultaneously microscopic and macroscopic, cellular and cosmological, wherein the inexplicable and enigmatic coexist.
Art
A Studio Visit With Jillian Conrad
In her sculpture, Conrad is disengaging from permanence and the imposition of one’s will, as taken up by sculptors from Michelangelo to Serra.
Art
A Travelogue of Imaginary Lands in Stamps
Donald Evans concentrated all of his attention on the postage stamp, unlocking its potential to evoke distant, unseen lands.
Art
Stories That Need to Be Told
Artist Minouk Lim wants to offer a very different perspective on how one might deal with a grim history whose effects continue to be felt in the present.
Art
Stanley Lewis in a Wayward World
Lewis's tattered canvases and pasted over drawings mirror a world in need of constant upkeep and repair.
Art
Yarn Against the Patriarchy
Michelle Segre’s art is truer to the actual world we live in than to the ideal one proposed and refined by the art world and its institutions.
Art
“Do We Still Recognize Ourselves?”
In an age when everything is called into doubt, Squeak Carnwath’s concern with seeing carries a deep urgency.
Art
In Praise of Illegibility
Nadia Haji Omar’s art asks us: Can we look for the sake of looking? Or must looking always be about gaining and extraction?