With subjects and materials such as diner menus and discarded cardboard, Goodwin resists a view of history as progress in search of ultimate truths.
Voisine’s paintings ask us to consider what we pay attention to and why.
L. Brandon Krall seems simultaneously to embrace systems and flights of imagination.
Ha Chong-Hyun has survived the many catastrophes that have befallen Korea during his lifetime, and his work is inextricable from his life.
By employing a slow, deliberate process in which control is paramount, Remington shaped her passage in time.
By constructing a highly detailed world based on historical events, Jasper de Biejer gives himself permission to ponder the past.
In her “Mother Paintings,” Bradford’s observations of life in a pandemic have merged with her interior world.
By repeatedly returning to the same motif, Lees attempts the impossible, which is to freeze a particular object, individual, or moment in time.
Giorno sets up your expectations and then pulls the rug out.
Grill’s diaphanous brushstrokes and floating forms express a world in a state of unavoidable change.
Ahrong Kim is a masterful ceramic sculptor whose touchstone is a young Asian woman’s head.
Brazilian artist Caetano de Almeida lets colors call to colors, and shapes to shapes, as he works his way across the painting.