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Posted inArt

Sassily Serious and Seriously Sassy

I set out with the intention of seeing these shows, so I wouldn’t call it synchronicity, but the simultaneous exhibitions of David Goerk and Martha Clippinger in the same building, just one floor apart, did get me thinking about art making that is concerned with the realm between painting and sculpture — from della Robbia’s bas reliefs to early modernism (Hans Arp) to contemporary art (Stuart Arends, Ellsworth Kelly, Jim Lee, and Richard Tuttle).

Posted inArt

The Immaculate Conception of Damien Hirst

“You do know, don’t you, that even well-meaning people are pawns for the powerful, and when it comes right down to it, humans are best thought of as oversized prawns waiting to be plucked from their beds of ice? Personally, I like to methodically squeeze the plumpest and pinkest ones between my thumb and forefinger, really smooth them out, before swallowing them whole.”

I dreamt that I met the famous and powerful Hollywood gossip columnist, Hedda Hopper. She was tired of lying around in Rose Hill Permanent Rest Stop and wondered if she could get her old job back.

Posted inArt

Unassimilated and Inadmissible

When Katherine Kuh asked Edwin Dickinson about his painting, “Self-Portrait in Uniform” (1942), where the artist depicts himself in a mirror dressed as a Union soldier, he answered, “I’ve had a number of hobbies; one was the Civil War. For about nine years I was particularly interested in that subject and the portrait comes from that time.”

Posted inArt

Lester Johnson’s Last Paintings

Lester Johnson (1919 – 2010) remains a cult figure, particularly for those who care about painting, which, let’s face it, is a cult made up of warring factions. Johnson is a full-fledged member of the faction to which the terms “painterly,” “expressionist,” and “figurative” have accrued, but which are too diluted to be of any use. He remains best known for his paintings of men, often depicted as monochrome silhouettes packed tightly together.

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