John Yau is an award winning poet, critic, curator, and publisher of Black Square Editions. He has published over 50 books of poetry, fiction, and art criticism.
Art
McArthur Binion’s exhibition, Re: Mine, currently at Galerie Lelong stirred up a swarm of associations while I was looking at it, and the buzz did not die down after I left the gallery and decided to walk home amidst the late afternoon din of Manhattan traffic and people in a rush to get home.
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It has been two years since Patrick Strezelec had his first exhibition of sculptures in New York in more than a decade.
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I was unexpectedly reminded of the wonderfully irreverent filmmaker Seijun Suzuki while looking at Dana Schutz’s painting, “Slow Motion Shower” (2015), which is included in her current exhibition, Fight in an Elevator, at Petzel.
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I had not seen Kyle Staver’s frieze-like clay sculptures before encountering two of them in Kyle Staver: Tall Tales, her current show at both Lower East Side spaces of Steven Harvey Fine Art Projects.
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NEW BRUNSWICK, NJ — In 1963, while living in Los Angeles, Melvin Edwards welded “Some Bright Morning” out of different pieces of steel scrap metal, including a heavy chain and a dagger-like fragment extending from a circular, collar-like form.
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A few weeks ago, while a friend and I were driving to Rockland, Maine, where I was scheduled to give a lecture, we stopped in Portland, because I wanted to see the exhibition Rose Marasco: index at the Portland Museum of Art.
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There are at least three exhibitions in Hidden Likeness: Photographer Emmet Gowin at the Morgan currently at the Morgan Library & Museum.
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In 1980 or ’81, I met Philip Allen through his childhood friend, the painter Jon Imber, who died of ALS on April 17, 2014, at the age of 63.
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Happily, for those who are curious about what came next in Whitney’s evolution, they need only to go uptown and see the artist’s first museum exhibition in New York, Stanley Whitney: Dance the Orange at the Studio Museum in Harlem, which contains a selection of twenty-nine paintings and works on pap
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Ever since the beginning of this century, when Ruth Root got rid of her references to Philip Guston, she has gotten better and better. In her current show, Ruth Root, at Andrew Kreps, she has kicked out the jams, and the results are unlike anything else being done right now.
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The curator and art historian Susan Landauer met Elmer Bischoff in 1985, while she was a graduate student at Yale, and this encounter helped lead to her first book: The San Francisco School of Abstract Expressionism (1996).
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Years ago I saw a drawing in a modest exhibition at the Centre Pompidou that Picasso made on a sheet of stiff cardboard while he was on a picnic with his friends, Michel and Louise Leiris. Not one to waste space, Picasso divided the surface into a grid, and in each small square he made a quick conto