Art
Thomas Nozkowski’s Magical Mystery Tour
Simply titled Thomas Nozkowski, this is the artist’s fourth solo exhibition at Pace Gallery since 2008, when he first joined the gallery, and this time he has pulled out all the stops.
John Yau
John Yau is an award winning poet, critic, curator, and publisher of Black Square Editions. He has published over 50 books of poetry, fiction, and art criticism.
Art
Peter Saul’s Hair-Raising Attacks
Peter Saul’s anarchic imagination is a singular phenomenon in American art.
Art
Suzan Frecon’s Patience Should Be Rewarded
The turning point for Suzan Frecon happened in 1989, when she saw the exhibition of the Swedish artist and mystic, Hilma af Klint: Secret Pictures at PS1.
Art
Rosalyn Drexler’s Noir Paintings
I wonder if the reason Rosalyn Drexler isn’t better known is because she is so good at so many different things. We recognize such mastery in men, but rarely in women.
Art
Lois Dodd’s Paintings of the Ephemeral
In recent weeks, I have written about what I have defined as a grown-up painter, as opposed to what I called “the latest manifestation of a male adolescent painter, a clichéd archetype that gained traction in the Neo-Expressionist ‘80s, with the rise of Julian Schnabel, and has not been thrown over
Poetry
This Is Not a Book Review of 'Model City' by Donna Stonecipher
I want to begin by stating this is not a review of a Model City, a book of poems that I recently read. The author is Donna Stonecipher, an American poet and translator who has lived in Berlin for some years.
Art
What Does It Mean to Be a Grown-Up Painter?
Isn’t it time we begin putting things in perspective?
Art
Al Taylor: Not Yet in from the Cold
New York’s art world institutions still haven’t recognized how good an artist Al Taylor was. They overlooked his work while he was alive, and seem hellbent on continuing that willful blindness now that he is dead.
Art
Master of Many
There used to be a time when curators could slap a label on a group of artists, claiming the work to be central, progressive, and an important part of their narrative of art history.
Art
An Extraordinary Studio Artist in a Post-Studio Era
As I have written previously, there is a lot of very good painting going on these days. It is just that you are not likely to see much of it at the Museum of Modern Art, the Whitney, or the Metropolitan Museum of Art, at least in recent memory.
Art
Weekend Studio Visit: Louise Belcourt in Williamsburg, New York
Despite the hue and cry about zombie formalism, there is a lot of very good painting going on these days.
Art
John Keats and Martin Puryear, and the Latter’s Renewal of “Negative Capability”
Recently, and rather unexpectedly, the term “negative capability,” which was coined by the poet John Keats, came to mind. Was this an outlandish association to make while looking at Martin Puryear’s debut exhibition at Matthew Marks?