Art
I was lucky enough to see Wayne Thiebaud: 70 Years of Painting at the San Jose Museum of Art (February 27–July 4, 2010) and write about it for The Brooklyn Rail (July–August 2010). As with that exhibition, many of the works now on view at the Aquavella Galleries’ posh, mirrored townhouse on Manhatta
Art
For anyone who has been following painting in New York since the beginning of the 21st century, it is not surprising that the mid-career survey devoted to Wade Guyton is currently the main attraction at the Whitney Museum of American Art. It is also not surprising that the show has been very well re
Art
There are a many reasons to go see Faking It: Manipulated Photography Before Photoshop, curated by Mia Freeman, at the Metropolitan Museum of Art. Yves Klein leaps into the void and Lyndon Johnson’s nose grows long and pointed (would that this would happen to all politicians who lie to their constit
Art
It is one of those impossible questions that each artist answers differently. How much can you put in? And, of course, the obverse, how much can you leave out?
Art
Can any theory about art’s mission be universal? Or is a theory, with its investment in a narrative of progress, more contingent and narrowly focused than the art world is willing to acknowledge — enthralled as it currently is with deskilling and relational aesthetics, as it once was with Greenbergi
Art
If anyone wants an indication of the ever-widening chasm between the art world and the museums, look no further than the career of Ralph Humphrey (1932 – 1990), a painter whose works calls into question every marker of progress brought to bear on art. The current exhibition at Gary Snyder—his first
Art
What do you call Wendy White’s most recent works, which are made of two or more panels that rest on the floor, hug the wall and at the same time protrude from it? Combines and hybrids are the obvious answers, but those familiar designations hardly tell the story. There is something fresh about White
Art
Well known for working on very large sheets of wax-coated paper for the past twenty years, Toba Khedoori’s recent easel-sized oil painting will come as a surprise. In fact, the largest painting in her recent exhibition was around four-and-a-half feet by three feet, which is hardly monumental. To giv
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Martha Friedman’s recent work marks a significant shift away from the sculptures that first gained her attention. Working within a territory that includes Rene Magritte, Claes Oldenburg and Vija Celmins, Friedman became known for casting enlarged versions of commonplace items; nails, cantaloupes, wa
Art
Sun Tzu’s Sixth Century treatise, The Art of War, is one of the precursors to Gertrude Stein’s How to Write (1931). Written in different epochs, under different dark clouds, war either in progress or just around the fork in the road, these manuals are invaluable to an understanding of writing and th
Art
A studio visit prompted these thoughts about Josephine Halvorson’s paintings, which Nancy Princenthal has characterized as “resolutely airless and mute.” Halvorson depicts close-up views of largely flat surfaces, often with a rectangle framed within the painting’s rectangle. In addition to conveying
Books
Richard Baker is best known for his still-life paintings of tabletops, often tilted at impossible angles and covered with out-of-print art books and other bric-a-brac, such as ceramic pots, to-go food containers, candy bars, and tulips. Ranging from the lowbrow Learn to Draw by Jon Gnagy (Mr. “Learn