A look back at all the questions, contradictions, omissions, and elisions of last year’s bauhaus imaginista exhibition reveals that it was a show about contemporary Germany as a country as much as it is about whatever we are calling “the Bauhaus.”
Jordan Troeller
Jordan Troeller is an art historian, whose writing has appeared in Art Journal, The Burlington Magazine, October, Women’s Art Journal, and elsewhere. She is on the faculty of the Department of Art History at the University of Graz in Austria.