Jenkins’s new short film, the centerpiece of a MoMI exhibit on The Underground Railroad, uses his signature techniques to confront the viewer.
Because he refused to play to white hegemony, Gunn’s films were often poorly understood.
For Dugger, who is disabled, bodies are mutable and prone to rupture, yet they remain expansive, even cosmic.
In Vignette, Abbey Williams explores how Black affective space persists within and outside the constricted frame of the white gaze.
Started as a way for digital and new media artists to circumvent the elitist infrastructure of art fairs, the Wrong hosts work online, for free. This year they’ve added a physical exhibition in Chicago.