Warm depictions of Black life and music-making aside, Soul ultimately shortchanges itself with what feels like a lack of confidence in its core character.
Author Archives: Kambole Campbell
Kambole Campbell is a freelance writer and critic based in London, with work appearing in Empire Magazine, Sight & Sound, Little White Lies, The Independent, The Guardian, Birth.Movies.Death. and Polygon. He received his BA in Film and Literature from The University of Warwick.
After Viral Racist Encounter, Central Park Birder Shares Experience in Comic Form
A semi-fictionalized account of Christian Cooper’s own experiences, It’s a Bird takes on racist dog whistles with necessary straightforwardness.
From MLK to Whistleblowers, the FBI’s Trouble with Dissidents
The films MLK/FBI and Enemies of the State offer contrasting looks at government oppression.
David Byrne and Spike Lee Consider the Oxymoron of “American Utopia”
American Utopia, Lee’s film of the stage show, recontextualizes some of Byrne’s greatest hits as musings on modern life.
Black Squares Don’t Save Black Lives
If you consider yourself an ally to Black people, it shouldn’t just be about you or how you feel; it should be about how you can help.
A Modern-Day Anime Fairy Tale, With Surfing
Ride Your Wave, the latest from prolific anime director Masaaki Yuasa, offers a comforting and serene approach to loss.
Looking Back at Miyazaki’s Lupin III: The Castle of Cagliostro on Its 40th Anniversary
Released 40 years ago this Sunday, Cagliostro established Miyazaki as a notable talent. Much like his latest film, The Wind Rises, it reflects the director’s changing attitudes towards the animation industry.
Anime’s Hostile Visions of the Future
Anime’s Human Machines at the Barbican Centre offers a variety of perspectives on humanity, technology, and whether the soul can exist between machines and humans.