Spike Lee’s landmark film is often remembered for its still-relevant social commentary, but its formal brilliance should not go overlooked.
Kambole Campbell
Kambole Campbell is a freelance writer and critic based in London, with work appearing in Empire Magazine, Sight & Sound, Little White Lies, The Independent, The Guardian, Birth.Movies.Death. and Polygon. He received his BA in Film and Literature from The University of Warwick.
Posted inFilm
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Posted inFilm
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Posted inFilm
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Posted inArt
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Posted inFilm
From MLK to Whistleblowers, the FBI’s Trouble with Dissidents
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Posted inFilm
David Byrne and Spike Lee Consider the Oxymoron of “American Utopia”
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Posted inOpinion
Black Squares Don’t Save Black Lives
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Posted inFilm
A Modern-Day Anime Fairy Tale, With Surfing
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Posted inArt
Looking Back at Miyazaki’s Lupin III: The Castle of Cagliostro on Its 40th Anniversary
Released 40 years ago this Sunday, Cagliostro established Miyazaki as a notable talent. Much like his latest film, The Wind Rises, it reflects the director’s changing attitudes towards the animation industry.
Posted inFilm
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